改编自卡夫卡未完成的长篇小说《美国》，但其关注的并非真实的美国，更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国，然而他无法摆脱欧洲大陆旧式习惯，更糟的是，欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合：中景固定机位，面无表情的演员，人物肢体和语言刻意僵硬，强调侧面特写，镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。

改编自卡夫卡未完成的长篇小说《美国》，但其关注的并非真实的美国，更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国，然而他无法摆脱欧洲大陆旧式习惯，更糟的是，欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合：中景固定机位，面无表情的演员，人物肢体和语言刻意僵硬，强调侧面特写，镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。

Interview with Jean-Marie Straub and Danièle Huillet about their movie Klassenverhält

历史上的宋朝，分为北宋和南宋两个时期。在两宋期间，中华大地都发生了哪些惊心动魄的事件？亡国之君宋徵宗，开国皇帝宋高宗，南宋中兴四将，金钱百战名将，又都是些什么样的历史人物呢？他们和民间传说有着什么相同和不同之处呢？《百家讲坛》邀请北京市海淀教师进修学校高级教师袁腾飞，以史为鉴，用现代的视角回观历史和那些生动的历史人物，为我们细细评述两宋期间的这段特殊历史。

En présence de Lionel Soukaz 　　LE SEXE DES ANGES 　　DE LIONEL SOUKAZ 　　FRANCE/1976/42'/35MM

This is a fascinating documentary on the making of Klassenverhältnisse (Class Relations). Farocki is both an actor and a director of this documentary. The film focuses on the rehearsal of two scenes (the "missing photo in the bag" scene and the "I'm completely drunk and I'm going to ruin your life" scene) and the shooting of the first rehearsed scene. 　　Like Pedro Costa's beautiful film on Straub & Huillet, Farocki's take focuses on the meticulous, obsessive work of the authors while at the same time incorporating a cinematic pace akin to their films'. 　　Here we see not the final step (editing) but the very early phases of the construction of the film. While working with the actors, while making them repeat the same scene over and over, Straub & Huillet are actually beginning to envision the mise-en-scène. We thus have the rare opportunity to see two master film-makers as they start to make actual progress in the artistic concretization of the work. 　　It may help if you have seen Klassenverhältnisse before, but it's really not necessary in order to follow this fascinating film.

What does peace mean to you? And justice? Following 12 years of military rule (1973–1985) and the accompanying silence, it couldn’t be taken for granted that people in Uruguay at the end of the 1980s would discuss such questions in such lively fashion in public. Two women take to public spaces across the country a U-matic camera and ask these questions of countless passers-by. The reason is a controversial amnesty law passed in 1986 that grants impunity for human rights violations and crimes committed by the police and the military under the dictatorship. Enthusiastically conducted conversations on the street are at the heart of this stirring film, which documents the mobilisation of civil society from collecting signatures for a referendum to the day of the actual vote. TV ads and campaign spots from the time supplement the smartly edited video footage, which has never been used previously. One can hear a plurality of opinions, experience a society in upheaval and recognise the importance of the public sphere as a stage for political debate. An example of democracy in action, of the kind that once again needs defending in many places in the world today.

Melvyn Bragg explores the relationship, from 1911 to 2011, between class and culture.

齐克、杰瑞和斯莫奇三个工人在同一个汽车工厂工作，经常一起喝酒。一天晚上他们偷用妻子的钱去饮酒作乐时，突然想到一个主意：抢劫工会办公室的保险箱！起初以为行动失败，因为只得手了600块钱，但随后齐克意识到他们可以钓到更“大”的鱼。他们决计勒索工会。结果让他们震怒的是，工会竟宣称他们偷走了一万元的巨额！

Documentary about class division and gentrification in the West Chelsea neighborhood of New York City and its effects on public housing.