A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

这是一个布加勒斯特历史，他看到灯型的极权主义的架构，我们在那些谁知道，权力是在建筑方面表示期待。 Ceausescu Nicolae a distrus Romania.尼古拉齐奥塞斯库的罗马尼亚销毁。 In locul vechilor orase, a memoriei incastrate in zidurile monumentale, arhitectura de tip stalinist, de inspiratie Nord Coreeana, a erupt ca o plaga amenintand sa umileasca tot si sa demonstreze Puterea regimului.而不是在斯大林的纪念性建筑灵感的墙壁嵌入式记忆体的旧城镇，爆发像瘟疫的威胁侮辱和展示所有电源系统。

这是一个布加勒斯特历史，他看到灯型的极权主义的架构，我们在那些谁知道，权力是在建筑方面表示期待。 Ceausescu Nicolae a distrus Romania.尼古拉齐奥塞斯库的罗马尼亚销毁。 In locul vechilor orase, a memoriei incastrate in zidurile monumentale, arhitectura de tip stalinist, de inspiratie Nord Coreeana, a erupt ca o plaga amenintand sa umileasca tot si sa demonstreze Puterea regimului.而不是在斯大林的纪念性建筑灵感的墙壁嵌入式记忆体的旧城镇，爆发像瘟疫的威胁侮辱和展示所有电源系统。

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome