大唛（刘青云 饰）与克仔（周文健 饰）及Bowie（林保怡 饰）三个死党，均染上赌马嗜好，利用赌马去制造梦想与成就。而大唛幸有何May（吴倩莲 饰）的鼓励与提点，尚不至恋马烂赌之徒。一次，Bowie找到一部电话偷听器，怂勇大唛与克仔在马场宿舍偷听练马师贴士，结果赢得万多元，而大唛便把所赢款项尽交阿May保管。为赢钱他们重施故技，大唛更想藉此赢得老婆本，好向阿May求婚，谁料练马师坠马而弄致全军尽墨，结果大唛不单拖欠贵利，更受到外父臭骂，又令母亲失望。面对这样的困境，大唛会再重投马场一赌？还是改过自新，自食其力？这也正是普遍香港“赌仔”要面对的问题。

大唛（刘青云 饰）与克仔（周文健 饰）及Bowie（林保怡 饰）三个死党，均染上赌马嗜好，利用赌马去制造梦想与成就。而大唛幸有何May（吴倩莲 饰）的鼓励与提点，尚不至恋马烂赌之徒。一次，Bowie找到一部电话偷听器，怂勇大唛与克仔在马场宿舍偷听练马师贴士，结果赢得万多元，而大唛便把所赢款项尽交阿May保管。为赢钱他们重施故技，大唛更想藉此赢得老婆本，好向阿May求婚，谁料练马师坠马而弄致全军尽墨，结果大唛不单拖欠贵利，更受到外父臭骂，又令母亲失望。面对这样的困境，大唛会再重投马场一赌？还是改过自新，自食其力？这也正是普遍香港“赌仔”要面对的问题。

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

Philosopher Zhuang Zi once dreamt he was a butterfly. This pleasant daydream tells this old story from a new perspective. Modern butterflies apparently dream in VR. Nature, technology and spirituality seamlessly meld when a monk and a child both embrace modern technology their own way

Philosopher Zhuang Zi once dreamt he was a butterfly. This pleasant daydream tells this old story from a new perspective. Modern butterflies apparently dream in VR. Nature, technology and spirituality seamlessly meld when a monk and a child both embrace modern technology their own way

過去討論台灣日治時期（1895-1945）電影，總以商業電影和政宣新聞為主，卻忽略了當小規格膠卷與攝放機透過日本傳入，在台日人及台灣人都得以隨手記錄島嶼上的生活、事件與風景，也是重要的動態紀錄；這些未經雕琢的影像，在數十年後，成為我們想像並解析殖民時期的檔案，與出自官方的紀實影像對比，在在暗藏著「殖民現代化」的表徵，而更多業餘電影的足跡與社群，存在於當年的文宣、報章、雜誌。本場次選映多部早期影像，透過學者解密文獻，另闢重新認識日治影史的蹊徑。

一帮匪徒探知寺内有宝物，以赈灾义演为噱头骗得方丈和众僧离寺演出，在下山途中东东阴错阳差发现了盗贼的阴谋，最后东东在小姑娘朋朋的帮助下，利用平时整蛊师兄们的小技术，设计种种关卡，让盗贼吃尽苦头。

一帮匪徒探知寺内有宝物，以赈灾义演为噱头骗得方丈和众僧离寺演出，在下山途中东东阴错阳差发现了盗贼的阴谋，最后东东在小姑娘朋朋的帮助下，利用平时整蛊师兄们的小技术，设计种种关卡，让盗贼吃尽苦头。

独自生活的上班族小柊，一日收到母亲从老家寄来的一个巨大的橱柜。自从这个破旧的橱柜来到小柊的家里，就接连发生了一连串神奇的事情：抽屉里堆满好吃的零食，早餐莫名其妙的做好，衣服被叠得整整齐齐……原来这些“天上掉下来的馅饼”，都是住在橱柜里面的座敷童子：胖胖儿的大五郎、古灵精怪的次郎吉，还有阿正、半平，以及温柔美丽的由纪跟阿妙。这六位座敷童子是侍奉柊木家历代的安人（掌管家中各种大小事务的女主人）。小柊跟他们建立了深厚的友谊。 　　本片导演是日本知名动画师、作画监督的黄濑和哉，他曾参与《福音战士》系列、《攻壳机动队 INNOCENCE》等许多动画作品的创作。