Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈的日常。

杰米熊之神话图卷

在党的十八大以来的若干建设成就中，基础设施建设是当之无愧的“中国名片”。基础设施助推经济的起飞、改善生活的品质，在某种意义上是现代国家经济社会发展的象征；桥梁和港口，是基础设施中的“重头戏”，能较为全面地反映中国基础设施建设的水准和进步，折射出中国强劲的创新能力和一以贯之的奋斗精神。

今天，中国的社会面貌发生了巨大的改观。这些变化发生在你我的身边，同时也引发了全球的关注。新一季的《超级工程》将带您进入中国——这个世界第二大经济体的核心。为您揭示推动这个国家运转的庞大系统工程，带您去发现一系列重大事件背后的隐秘。告诉您为了这一切，这个国家所付出的巨大努力和正在面对的挑战。 在新系列中，《超级工程》团队将更多地从民生的角度出发，关注衣、食、住、行这些最基本的需求背后，那些不为人所知的超级工程。《超级工程》也将一如既往地用细节为您呈现一个个生动的故事，同时也将带您展望未来，寻找那些能让生活变得更好更加和谐的行为方式。

While a woman is polishing a mirror, she suddenly notices the reflection of a stranger. Surprise, fear and fascination fill the air.

While a woman is polishing a mirror, she suddenly notices the reflection of a stranger. Surprise, fear and fascination fill the air.

在这个未来的故事里，腐败的政体向人民脑袋里的晶片,不断播送一座美丽的城市的幻像，而实际上它已经是座严重破坏的废墟。那些叛乱者知道真相，并且想办法来挑起革命。