2008年7月的北京，在距奥运会开幕越来越近的日子里，上班途中的中国美术馆馆长的思绪并没有离开在2008年一月的敦煌艺术展……

由浙江省文化与旅游厅联合出品、浙江小百花越剧院专业协作的中国戏剧文化体验类电视节目《戏剧中国心》定档，于4月19日20:00在Z视介客户端上线，5月14日起，每周日晚21:10登陆浙江卫视。该节目由越剧表演艺术家茅威涛带领年轻越剧演员组成“中国心剧社”，每期选定一个或多个越剧经典剧目进行重新演绎，以今人视角解读戏曲中的人物和故事，并寻找一方特别的戏台完成特别演出，讲述戏文里的中国故事。

由浙江省文化与旅游厅联合出品、浙江小百花越剧院专业协作的中国戏剧文化体验类电视节目《戏剧中国心》定档，于4月19日20:00在Z视介客户端上线，5月14日起，每周日晚21:10登陆浙江卫视。该节目由越剧表演艺术家茅威涛带领年轻越剧演员组成“中国心剧社”，每期选定一个或多个越剧经典剧目进行重新演绎，以今人视角解读戏曲中的人物和故事，并寻找一方特别的戏台完成特别演出，讲述戏文里的中国故事。

一个面积相当于一个大陆的国家,拥有13亿人口,如何去了解这样一个国度,以及塑造她的各种力量?探索中国的艺术无疑是最好的方法。中国山水中透出的宁静平和是古代诗人与画家的心灵港湾,凭借一个世纪以来考古学上的惊人发现,中国人凭借双手创造出的最引人注目的杰作从尘土中苏醒，中国古代艺术由此揭示了这个国家的文化之根。

一个面积相当于一个大陆的国家,拥有13亿人口,如何去了解这样一个国度,以及塑造她的各种力量?探索中国的艺术无疑是最好的方法。中国山水中透出的宁静平和是古代诗人与画家的心灵港湾,凭借一个世纪以来考古学上的惊人发现,中国人凭借双手创造出的最引人注目的杰作从尘土中苏醒，中国古代艺术由此揭示了这个国家的文化之根。

中国绘画艺术历史悠久，源远流长，经过数千年的不断丰富、革新和发展，以汉族为主、包括少数民族在内的画家和匠师，创造了具有鲜明民族风格和丰富多彩的形式手法，形成了独具中国意味的绘画语言体系，在东方以至世界艺术中都具有重要的地位与影响。

In this four and a half hour documentary or filmic tavelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture. "In my previous films I have dealt with the themes of exoticism, minorities and their differing role behaviour within their own culture. Now I am interested in expanding this theme, in getting to know a 'real exoticism' in a foreign land and in a different culture. I am attempting to conduct a visual discourse with my camera about exoticism as a question of point-of-view. 　　In making the film, I was influenced by Chinese naturepainting: by the use of the scroll, which not only demands a different method of painting, but a different way of viewing - rolling out the scroll, focusing in on details, wandering to and fro, viewing piecemeal. So if I was filming a market square, for example, I'd pan very slowly and steadily across the square, rather than trying to capture the image in toto. 　　– Ulrike Ottinger

金发的双性恋Mateo，性感的Maria，以及内心充满冲突的同性恋Angel。在现实生活中各种体验是他们寻找自我的手段。 金发的双性恋Mateo，性感的Maria，以及内心充满冲突的同性恋Angel。在现实生活中各种体验是他们寻找自我的手段。

戏剧是镜，戏剧是梦。 一方舞台，透射你我的自我与梦想。

The world of a young theatre director in a small Czech town crumbles after he decides to realize his dream of adapting an overly ambitious play based on Euripides' classic 'Fedra'. He loses his two main actors during rehearsals and the municipality threatens to cut funding due to the play's political content. Petr falls for young actress Karolina, playing the lead. Tensions at his home grow: he's not much of a present husband and a father. Shortly before the premiere both women leave him. His wife's had enough and Karolina simply disappears. Petr attempts to save his masterpiece, but the play is a fiasco. Devastated, he tries to regain last pieces left of his life. But is it far too late?