节目目录： 　　周汝昌：《红楼梦》与中国文化 （上） 　　周汝昌：《红楼梦》与中国文化 （下）

节目目录： 　　周汝昌：《红楼梦》与中国文化 （上） 　　周汝昌：《红楼梦》与中国文化 （下）

《大国文化》是甘肃卫视2014年重磅推出的一档综艺节目，节目打出“非著名相声演员”郭德纲讲国学的概念，通过明星参与的娱乐性、趣味性答题，传播中国传统文化。第一、二期节目郭德纲将与老搭档柳岩共同主持，主题分别为“吃文化”和“酒文化”。每期节目，将有3位明星带领自己区域的百人方阵进行答题、表演竞赛，更有历史文化专家将进行经常点评和解答。

《大国文化》是甘肃卫视2014年重磅推出的一档综艺节目，节目打出“非著名相声演员”郭德纲讲国学的概念，通过明星参与的娱乐性、趣味性答题，传播中国传统文化。第一、二期节目郭德纲将与老搭档柳岩共同主持，主题分别为“吃文化”和“酒文化”。每期节目，将有3位明星带领自己区域的百人方阵进行答题、表演竞赛，更有历史文化专家将进行经常点评和解答。

道格玛第十三号作品，一部向《逍遥骑士》致敬且增加离奇与粗劣成分的公路片。两名性格迥异的青年穿越美国西部的摩托之旅，伴随克里斯对美国的浪漫主义态度在沿途遭遇的敌意中遭到考验，彼得继续愤世嫉俗地将其作为欠理想的空无地带，并在悲剧中学到残酷世界的自我保护。影片通过双重视角记录美国日常，并被赋予了哲学背景。（豆瓣电影字幕翻译2.0小组）

林芊芊攥着手机的手指泛白，屏幕上陈村发来的信息像毒蛇吐信：“我女儿又发烧了，你不能见死不救！” 窗外暴雨拍打着玻璃，和她擂鼓般的心跳声混在一起。自从大学那次骨髓捐献后，她的生活就被这家人彻底搅乱 —— 工作日堵在公司楼下，周末守在小区门口，甚至往家里寄恐吓信。​ “老婆，别理他们。” 顾遇白轻轻搂住她颤抖的肩膀，掌心传来的温度让她眼眶发烫。他早就辞掉了出差频繁的工作，每天接送孩子上下学，把家打理得井井有

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders