奥卡菲娜将与Topic影业合作开发一部取材自Topic.com文章《中国食物如何助长加州朋克崛起》(How Chinese Food Fueled the Rise of California Punk，暂译)的未命名影片。奥卡菲娜将身兼主演和制片人于一身。剧本由玛德琳·梁·科尔曼执笔，原文探讨了上世纪70年代末、80年代初美国经济衰退期间，从萨克拉门托到旧金山的唐人街餐馆开始租借它们的宴会厅作为排练厅，并签下新生的西海岸朋克乐队作为晚餐娱乐项目，以此扩展业务。

本片讲述了一个发生在美国加洲一间豪宅中的有趣而温馨的故事。 　　本剧将个人的感情冲突和对美国社会的种种矛盾作了详细的描述，各人在命运的安排下，不经意间“完成”了《加洲阳光中国橙》这部电视剧。

二十多岁的单身贵族ノエラ，是因为工作的爱车昂热前往洛杉矶。但是加利福尼亚省的路上，遭遇枪战。混乱中，突然诺鳃的跳上了车

一个努力寻找生活目标的人被一个醉酒的病人寡妇所启发

在一个巨型的购物城，快销店的女孩遇见了快餐店的男孩，两人发生了一场快速的爱情。

在一个巨型的购物城，快销店的女孩遇见了快餐店的男孩，两人发生了一场快速的爱情。

十几岁的达拉斯·爱德华兹和他那些被遗弃的朋友们正在探索南加州一系列神秘、超自然事件背后的意义

A feminist cult survives by robbing and killing passersby, at their remote desert ranch. The North Star Dhruva cult leader Magdalena refuses to work for the Yankee dollar. Consequently she subjugates her two followers, who are forced to listen to the music of German opera all the time, while Magdalena drinks rum and Coca Cola in the ranch's ornate bar. But the lesbian masochist's iron rule over the rundown California ranch is questioned when a mother-loving young male wanderer, Lord Invader, stops in and romances the cult's meek slave Ila, after his mother is turned away by Magdalena.

…All the Marbles (reissued as The California Dolls) is a 1981 comedy-drama film about the trials and travails of a female wrestling tag team and their manager. The film was directed by Robert Aldrich, and stars Peter Falk, Vicki Frederick, and Laurene Landon. Pittsburgh Steeler hall of famer "Mean" Joe Greene also plays himself in this film. 　　Among the young unknown actresses who auditioned for the film, but did not receive a part, was Kathleen Turner. 　　The wrestlers were trained by former women's world wrestling champion Mildred Burke. 　　According to Laurene Landon, while the film did not do very well at the box office in the United States, it made a healthy profit in foreign markets, and producers were planning a sequel, to be set primarily in Japan, when Robert Aldrich's death put a halt to the project. 　　The film is known overseas as "The California Dolls", because "all the marbles" is an American idiom that makes little sense in most other countries.

一位父亲进入了视频游戏的世界，把他十几岁的女儿从一个神秘的游戏开发商的控制下救了出来。