弘扬乡土文化，展现民间风采，这是 CCTV - 7 主推的纪录片特色。该纪录片从文化角度出发，深入发掘并展现一方水土的民俗、风物以及各类民间文化样式。它着重展示民间艺人的绝活绝技，揭秘他们鲜为人知的艺术人生，生动呈现一个地区的人文品格。通过精心提纯打造，为当地塑造独特的文化名片，助力宣传当地的软实力、人文环境和文化发展，为塑造地区良好形象贡献力量。

故事讲述了已故党委书记闫胜联在新时代背景下，深入实施乡村振兴，带领乡亲们踏踏实实走上乡村振兴道路的故事。

弘乡土文化,展民间风采，CCTV-7主推的纪录片，从文化的视角发掘展现一方水土的民俗、风物和各类民间文化样式，展示民间艺人的绝活绝技以及他们鲜为人知的艺术人生，呈现一个地区的人文品格，提纯打造一个地区的文化名片，为宣传当地的软实力、人文环境和文化发展、塑造地区良好形象做贡献。

Coppola’s ‘Custom’ was announced in May 2020, but by the end of 2021, the project was nixed. “They pulled our funding,” Coppola said. “It’s a real drag. I thought they had endless resources.” 　　Coppola further explains that she planned for “Custom” to be “five ‘Marie Antoinettes,” referring to her 2006 film, which cost $45 million to make. 　　“They didn’t get the character of Undine,” Coppola said of Apple executives, who she described as “mostly dudes.” “She’s so ‘unlikable.’ But so is Tony Soprano! … It was like a relationship that you know you probably should’ve gotten out of a while ago.” 　　Coppola previously told The New York Times that her five-hour adaptation was nixed by Apple because they hated “the idea of an unlikable woman,” adding “it wasn’t their thing […] that’s what I’m saying about who’s in charge.”

《乡土中国》着眼于蕴含在广袤大地上的中华民族优秀传统文化，深入探究其中的农耕文明基因，承载和寻找乡愁，传播农耕文明中最质朴的亲情文化，以内外景结合的方式展开节目，夹叙夹议，实现优秀传统文化的传承发展。地址：北京市海淀区中关村南大街10号《乡土中国》栏目

故事跟随着一个事业有成的艺术家的回忆展开。那是1974年的夏天，18岁的艺术系男孩邂逅了一位比自己年长的艺术家。艺术家因为酗酒不仅对自己的工作漫不经心，对生活也失去了兴趣。男孩自己也有着烦心事，但还是试图探寻艺术家的心理，希望后者能振作起来。通过一段时间的相处，男孩的友善，让艺术家重新树立了生活的信心。艺术家的指点，也让男孩的世界观更加成熟。两个人的人生终于通过对方而变得圆满。

从军统第一杀手暗杀中华民国首任国务总理，到戴笠为骗钱错失杀掉日本第一大特务良机，纪录片《喋血——中日谍战大揭秘》揭开了抗日战争期间中日两国谍战秘史。

从军统第一杀手暗杀中华民国首任国务总理，到戴笠为骗钱错失杀掉日本第一大特务良机，纪录片《喋血——中日谍战大揭秘》揭开了抗日战争期间中日两国谍战秘史。

为免恶经理人邦子参加为女歌手贵子准备的生日派对,乐队领班工藤编了一个"间谍谎言"欺骗邦子；讵料邦子信以为真，转告贵子。 贵子为救其父，秘密飞港寻他，因受谎言影响，只觉草木皆兵，在飞机上误引起炸弹疑案。 香港电视台从业员阿B为采访炸弹事件，与贵子相遇。误打误撞，弄坏公司车辆，面临失业危机。 阿B助贵子寻父，遇工藤与邦子到港寻贵子。贵子被误为与变节苏联特务有关，被美国特工捉去。女干探祖儿，联同阿B等人潜入情报基地，合力大破间谍网，救出贵子父女，皆大欢喜。

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. 　　Through experimentation and innovation he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.