In Defense of Food tackles a question more and more people around the world have been asking: What should I eat to be healthy? Based on award-winning journalist Michael Pollan's best-selling book, the program explores how the modern diet has been making us sick and what we can do to change it.

In Defense of Food tackles a question more and more people around the world have been asking: What should I eat to be healthy? Based on award-winning journalist Michael Pollan's best-selling book, the program explores how the modern diet has been making us sick and what we can do to change it.

In Defense of Food tackles a question more and more people around the world have been asking: What should I eat to be healthy? Based on award-winning journalist Michael Pollan's best-selling book, the program explores how the modern diet has been making us sick and what we can do to change it.

日本NHK电视台耗费巨资，拍摄组全球行走五万公里，记录下人类吃什么，为何吃，怎么吃。从南美秘鲁传到欧洲挽救了饥荒的土豆，到德国巴耶州农民对一头猪的充分利用，这部纪录片以全球各种食物的起源为焦点，揭示食物与人类的关系。 　　当你看到各种美食佳肴的时候，你的馋虫一定会蠢蠢欲动。这部纪录片已经不仅仅是一部食物的历史，更是人类的民俗史、经验史和生存智慧史，你的味蕾尽可以抵达前所未有的深度。这是一部由日本NHK电视台拍摄的优秀纪录片，介绍世界各国风光，文化，饮食风情实录。 　　[NHK][纪录片]民以食为天系列（序）：食物的起源-5万公里之旅 　　[NHK][纪录片]民以食为天系列（01）：一滴血也能利用-肉 　　[NHK][纪录片]民以食为天系列（02）：一粒麦子华丽的变身-面 　　[NHK][纪录片]民以食为天系列（03）：游牧民族的遗产-乳制品 　　[NHK][纪录片]民以食为天系列（04）：安第斯的礼物-马铃薯 　　[NHK][纪录片]民以食为天系列（05）：亚洲巨大的恩赐-稻米 　　[NHK][纪录片]民以食为天系列（06）：黄土居民的智慧和技术-面 　　[NHK][纪录片]民以食为天系列（07）：辣椒是大地的香气-咖哩 　　[NHK][纪录片]民以食为天系列（08）：远古来的信息-塔罗薯·亚姆薯 　　[NHK][纪录片]民以食为天系列（09）：在南方充满活力的植物-茶 　　[NHK][纪录片]民以食为天系列（10）：盐及大地的奇迹-酱油 　　[NHK][纪录片]民以食为天系列（11）：在灼热的大海追逐鲸鱼-印度尼西·伦巴他岛 　　[NHK][纪录片]民以食为天系列（12）：热带草原的移动渔民-非洲·尼杰鲁山 　　[NHK][纪录片]民以食为天系列（13）：珊瑚礁的海上人家“姆多”-南太平洋·曼多古岛 　　[NHK][纪录片]民以食为天系列（14）：被酒引导的北方民族-加拿大·北美大陆 　　[NHK][纪录片]民以食为天系列（15）：糯米-降临大地的神的食物 　　[NHK][纪录片]民以食为天系列（16）：西瓜-沙漠居民的水瓶 　　[NHK][纪录片]民以食为天系列（17）：玉蜀黍-印度的伟大遗产 　　[NHK][纪录片]民以食为天系列（18）：杂谷-热带草原最后的礼物（终）

海牙，前南斯拉夫国际刑事法庭：两名野心勃勃的律师在审判米洛拉德·克里斯时四目相视，他被指控作为波斯尼亚战争的指挥官犯有战争罪。辩护人米哈伊尔·芬恩成功驳斥了对他的当事人的所有指控。确信克里斯有罪后，检察官凯瑟琳·拉格朗日传唤了一名年轻人，拿出了对克里斯有罪的证据。他声称自己小时候被父母遗弃，并曾是克里斯的一名士兵。辩护律师芬恩开始调查，以核实证人的证词，并很快遇到了这个年轻人的家人。

Cate Blanchett 将在在圣丹斯首映的电影 “Manifesto” 中扮演13个不同的角色。

In a small Rajasthan town where faith is revered and silence is sacred, Bayaan unfolds as a taut, quietly devastating study of systemic complicity. When a powerful and well-respected cult leader (a quietly menacing Chandrachur Singh) is accused of sexual abuse via an anonymous letter, the case is assigned to Officer Roohi (Huma Qureshi) — a young detective from Delhi whose sense of duty quickly collides with the brutal realities of the power dynamics at play in the community.

This found footage film is composed entirely of often-shocking videos that Russian teenagers have posted on social media. Innocent morning rituals on YouTube or TikTok have been placed next to shots of panicking young people fleeing school shooters. And students all over Russia are apparently secretly recording images of violent teachers who can’t keep their hands to themselves. In class they are told that a woman must have sex with her husband whenever he wants; furthermore, students are called idiots and are beaten. One critical teenager is threateningly told that a report will be made about her political views. 　　The mobile phone forms a kind of shield between the young people and this brutal world, turning them into not only observers but also accusers. However extreme the events, they keep filming. Manifesto is a dark mosaic, cumulatively disturbing, and culminating in a horrifying ending. The film shows how aggression and oppression are unwittingly passed on to the next generation.

该剧以刘集支部保存的我国现存最早中文译本《共产党宣言》为主题，是东营市实施的一项重点文化工程，是一部向中国共产党90华诞纪念而创作的主旋律献礼剧。

This found footage film is composed entirely of often-shocking videos that Russian teenagers have posted on social media. Innocent morning rituals on YouTube or TikTok have been placed next to shots of panicking young people fleeing school shooters. And students all over Russia are apparently secretly recording images of violent teachers who can’t keep their hands to themselves. In class they are told that a woman must have sex with her husband whenever he wants; furthermore, students are called idiots and are beaten. One critical teenager is threateningly told that a report will be made about her political views. 　　The mobile phone forms a kind of shield between the young people and this brutal world, turning them into not only observers but also accusers. However extreme the events, they keep filming. Manifesto is a dark mosaic, cumulatively disturbing, and culminating in a horrifying ending. The film shows how aggression and oppression are unwittingly passed on to the next generation.