走遍梅利利亚街头的马利克、迈迪和哈桑，如今踏上了巴黎的鹅卵石路，见识这里的灯火与幻梦、欢愉与暴力……在这部关于移民政策三部曲的终章中，导演西尔万·乔治跟随这群摩洛哥街头少年，记录他们度过这段复杂年华与严峻考验的历程，而欧洲却对此视而不见。

走遍梅利利亚街头的马利克、迈迪和哈桑，如今踏上了巴黎的鹅卵石路，见识这里的灯火与幻梦、欢愉与暴力……在这部关于移民政策三部曲的终章中，导演西尔万·乔治跟随这群摩洛哥街头少年，记录他们度过这段复杂年华与严峻考验的历程，而欧洲却对此视而不见。

以“文明互鉴”为主题，以器为语，与千年对话，跨越山海时空，走进俄罗斯、哈萨克斯坦、乌兹别克斯坦、吉尔吉斯斯坦、塔吉克斯坦、伊朗、蒙古、斯里兰卡八国，聆听它们在光阴长河里与中华文明交汇的回声。

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

作为《百年巨匠 · 非遗篇》人物系列的开篇之作，纪录片《传承大师季克良》将具有独特式的示范意义。 季克良是酒酿制技艺的国家级非物质文化遗产传承人，被誉为“酿酒 泰斗”，他一生与国酒相伴，心血与国酒相融。他独特的人生经历和非凡的智慧创造，是一代酿酒人的楷模，他不仅是一个时代的传奇，也是中国酒文化史上的优秀代表。 本片将站在传承和保护国家非物质文化遗产的高度，用独特的视角和充满情怀的表达方式，讲述传承大师季克良精彩的人生故事，深入解读他的技艺传承和工匠精神，呈现他的心路历程和家国情怀。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.

民国女子叶南昭遭遇前夫背叛痛失亲女，报官途中遭遇拐卖，无奈冒名顶替一女尸身份成为陆府二姨太。缘分使然，背叛她的前夫竟然是这一家的新姑爷，她顶替的原身还给她留了一大堆烂摊子？