当乔治·卡林被问到他最喜欢哪一场HBO特辑时，他的回答总是“Jammin' In New York”。原因有几个：这是他第一次现场制作HBO节目；这是他在家乡纽约市所做的第一件事。这是他以前接触过的最大观众人数：6,500 人。但卡林说，这也代表了他写作中新发现的复杂性。 “这是我第一次制作真正的扩展作品，由独立的部分组成，所有的部分都流动在一起。这对我来说是一个巨大的飞跃。”该节目在麦迪逊广场花园的派拉蒙剧院录制，并获得了1992 年的CableACE奖。是尖锐的社会评论和更温和的观察性作品的完美结合。

在纽约市文法学校，乔治·卡林被称为“课堂上的破坏性影响力”。 通过这场单口特辑，终极形态的班级小丑将回到加州大学洛杉矶分校，让新一代学生哈哈大笑。

约翰列侬在纽约，最后10年，光辉下的真实面目，此片让你更完整地了解列侬。

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

两个加利西亚的年轻人在纽约度过周末，然而旅行中的一些事情改变了他们的生活。于是，他们与从前的自己大不相同。

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

乔治·卡林将他的喜剧风格带到了纽约市的灯塔剧院。他咆哮着堕胎、死刑、监狱农场、放屁笑话、自由流动的敌意和言语。

乔治·卡林 (George Carlin) 于2001年11月17 日（9/11 事件发生十周后）在纽约灯塔剧院录制的第12部 HBO喜剧特辑《抱怨与牢骚》。卡林将他一贯的偏见目光投向了美国及其居民。从9/11事件到十诫，再到为什么开车撞倒别人时永远不要停下来，对于这位 45 年喜剧界老手来说，没有什么是神圣的。自助书籍、答录机、枪帽、护目镜、励志研讨会、儿童照片、同名歌手、热气球和名叫托德的人都随你挑选。