As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

1934年5月位于皖南西北部的柯村，以葛善财、葛受良为首的国民党地方势力及恶霸地主欺横霸市。方志敏便委派柳彪前往柯村领导秋收暴动，皖南苏维埃政府在柯村祠堂宣布成立，柳彪则带着队伍开始了艰苦卓绝的游击战。

1934年5月位于皖南西北部的柯村，以葛善财、葛受良为首的国民党地方势力及恶霸地主欺横霸市。方志敏便委派柳彪前往柯村领导秋收暴动，皖南苏维埃政府在柯村祠堂宣布成立，柳彪则带着队伍开始了艰苦卓绝的游击战。

电影主要讲诉了方志敏遵照中央指示发展皖南地区革命，发动柯村暴动，成立皖南苏维埃政府，率领皖南受压迫的人民同敌人进行残酷的艰苦卓绝的斗争，建立了皖南第一块革命根据地的故事。“柯村暴动”有力配合了闽浙赣苏区反“围剿”斗争和红军北上抗日先遣队在皖南的行动。为闽浙赣土地斗争史乃至中国近代史谱写了光辉的篇章。

本片描述了一件山村风流轶事的始末，揭示了八十年代，人性与奴役的抗争，透视出一个乡土中国的陈迹。莽子在帮桂儿砍柴时摸了桂儿一把，被村长吴阿爸斥为很不文明，于是召开全村大会批判他，并惩罚他为桂儿家服役15天。桂儿是个寡妇，丈夫进城以后便没了消息。莽子从小被吴阿爸收养，但却过着人不人，奴不奴的生活。莽子在桂儿家服役期间，渐渐产生了感情。但是，莽子由于以前受过的批判而犹豫不决，不敢接受这份炽热的感情。但春光终究是锁不住的，虽然礼教的残云迟迟不退，但毕竟还是渐渐飘散的。

梦想集团董事长秦洛假扮乞丐在街头行乞，看谁愿意悲悯他，他便帮人实现梦想。前女友发现了在街头乞讨的他，唯恐避之不及，但现女友王雪看见后，却心疼他，当着围观者的面说秦洛是自己未婚夫。还把自己打工几年的钱都给了他，希望他风风光光的来娶自己。 秦洛决定在婚礼上告诉她自己的真实身份。但这时王雪母亲得知了秦洛是个乞丐的事，强烈反对和阻止王雪嫁给秦洛。秦洛娶亲到半路，突然接到让自己别去的消息，他觉得王雪不会这样，于是仍然让娶亲队伍向前，结果在村口就遇到了一大群村民的拦路，不让他进村。 这边的王雪准备完一切，到中午了还不见新郎秦洛来，王雪母亲就撒谎说秦洛说了婚事取消，不会来了，说帮她另找一个新郎

梦想集团董事长秦洛假扮乞丐在街头行乞，看谁愿意悲悯他，他便帮人实现梦想。前女友发现了在街头乞讨的他，唯恐避之不及，但现女友王雪看见后，却心疼他，当着围观者的面说秦洛是自己未婚夫。还把自己打工几年的钱都给了他，希望他风风光光的来娶自己。 秦洛决定在婚礼上告诉她自己的真实身份。但这时王雪母亲得知了秦洛是个乞丐的事，强烈反对和阻止王雪嫁给秦洛。秦洛娶亲到半路，突然接到让自己别去的消息，他觉得王雪不会这样，于是仍然让娶亲队伍向前，结果在村口就遇到了一大群村民的拦路，不让他进村。 这边的王雪准备完一切，到中午了还不见新郎秦洛来，王雪母亲就撒谎说秦洛说了婚事取消，不会来了，说帮她另找一个新郎

本片描述了一个平静国家的人民不同的遭遇，但它从未成为一个国家。在若干年后的今天，大家也许都淡忘了，但那些古老的回忆仍然会让我们感动不已，一个个小故事组成了感动的元素，这些普通人民的故事会让我们铭记……

以采访梦境的形式串联在韩打工的外乡人的群像，通过他们身在异乡为异客，异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外