印度昌迪加尔是从平地兴建起来的新城市。 　　1951年法国建筑师勒·柯布西耶受聘负责新城市的规划工作。昌迪加尔是一座规划城市，市内街道成方格状。昌迪加尔的总体规划贯穿了勒·柯布西耶关于城市是一个有机体的规划思想，并以“人体”为象征进行城市布局结构的规划。

In 1960 Jane Jacobs’s book The Death and Life of Great American Cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. Jacobs was also an activist, who was involved in many fights in mid-century New York, to stop “master builder” Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda. Many of the clues for formulating solutions to the dizzying array of urban issues can be found in Jacobs’s prescient text, and a close second look at her thinking and writing about cities is very much in order. This film sets out to examine the city of today though the lens of one of its greatest champions.

In the near future, China Tracy will build a city dubbed RMB City within Second Life. This will be the condensed incarnation of contemporary Chinese cities with most of their characteristics; a series of new Chinese fantasy realms that are highly self-contradictory, inter-permeative, laden with irony and suspicion, and extremely entertaining and pan-political. 　　China's current obsession with land development in all its intensity will be extended to Second Life. A rough hybrid of communism, socialism and capitalism, RMB City will be realized in a globalized digital sphere combining overabundant symbols of Chinese reality with cursory imaginings of the country's future. In RMB City, we will be able to cruise the digital ocean, witnessing a Ferris wheel rotating on top of the Monument to the People's Heroes; looking down from the sky on the water of the Three Gorges reservoir gushing out of the Tian'anmen rostrum; passing the giant new totem symbolizing the Oriental Pearl TV Tower of Shanghai; hopping over the Feilai Temple marooned in a raging torrent; walking across a vast, desolate state-owned factory area in Northeast China; and finally hovering over the Grand National Theatre in Beijing. Also in our view will be gigantic planes gliding over terraces in the crevices of the central business district, and aerial super-malls. We will see water flowing into huge toilets on the container piers of the Pearl River Delta area before traveling through the sewage system into an ocean with floating statues of Mao Zedong. The rusted steel structure of the Olympic Stadium aka "Bird's Nest" will be washed in splashes of ocean spray, while an aerial band on a floating sheet of the national flag filled with five-pointed stars makes a deafening noise that shakes Rem Koolhaas' CCTV building, causing it to collapse....

悲催小白领王山因不堪生活压力决意自杀，却在自杀前救了一个女孩，女孩的身份出人意料，他的生活也翻开新一页……

平阳王唐锦书被“心上人”江子胥联手姘头齐雪依背叛陷害，背上谋逆之罪，遭灭门之灾，自己也枉死，死前见到男主顾连城伤心欲绝的样子；再次睁眼，唐锦书重生回到五年前，意识到自己上辈子错信渣男，错过真心人；重来一世唐锦书立刻觉醒，拉上顾连城一起，开始着手对付今世的江子胥和齐雪依；开启新的人生。

永宁侯府嫡女云卿为主线，她在大婚之夜因边疆战乱与丈夫裴玄分离，三年后丈夫归来却带来妾室和子嗣，面对背叛云卿选择和离，并在侯府复杂的权谋与情感纠葛中坚守自我、实现成长。剧集展现侯门家族在动荡中的挣扎与坚守，以及女主从逆境中崛起的独立与坚韧

"民国14年，秦依晴的母亲顾文佩，因撞破二姨太与管家奸情，和四姨太私下开娼妓馆的真相，被四姨太魏雪琴联合二姨太灭了口，秦依晴在亲眼目睹了母亲被杀害后，流落在外的她忍辱负重做了10年歌女，只为杀回秦家，报杀母之仇。 民国24年，秦依晴高调回到秦家，先后展开了复仇计划：妹妹秦梦晴、二姨太、二姨太之子秦尔豪、四姨太、父亲秦振山……都是秦依晴的报复对象，只是在这个过程中，秦依晴逐渐意识到自己应该对抗的不是个别的道德败坏之人，而是整个封建制度。于是她联手歌女繁花，为秦振山编织了一场末日帝王的黄粱一梦，最后带着繁花和所有被迫害的女孩们一起，逃出生天。"

平阳王唐锦书被“心上人”江子胥联手姘头齐雪依背叛陷害，背上谋逆之罪，遭灭门之灾，自己也枉死，死前见到男主顾连城伤心欲绝的样子；再次睁眼，唐锦书重生回到五年前，意识到自己上辈子错信渣男，错过真心人；重来一世唐锦书立刻觉醒，拉上顾连城一起，开始着手对付今世的江子胥和齐雪依；开启新的人生。

永宁侯府嫡女云卿为主线，她在大婚之夜因边疆战乱与丈夫裴玄分离，三年后丈夫归来却带来妾室和子嗣，面对背叛云卿选择和离，并在侯府复杂的权谋与情感纠葛中坚守自我、实现成长。剧集展现侯门家族在动荡中的挣扎与坚守，以及女主从逆境中崛起的独立与坚韧