梁文颖随夫沈安杰归家，竟见其前妻方秀燕挺着孕肚，由婆婆高宝玲悉心伺候。梁文颖欲走，被沈安杰劝留，二人搬去小家，方秀燕则与婆婆、女儿玥玥同住。 方秀燕面善心恶，不仅磋磨高宝玲，更殴打玥玥致其额头受伤。玥玥哭着向梁文颖求助，二人赶回撞见恶行，沈安杰在高宝玲求情下，为方秀燕购置房产让其搬出。方秀燕实则为与情夫私会欣然应允，还不断骗取沈安杰钱财。 得知沈安杰可能破产，方秀燕潜回沈家偷窃梁文颖的现金首饰，被当场抓获。她以孩子威胁，加上高宝玲偏帮暂得脱身，但其与情夫的关系及腹中孩子非沈安杰亲生的真相，终被梁文颖揭穿、沈安杰证实。最终，方秀燕与情夫遭惩罚，梁文颖怀上沈安杰的孩子，一家三口迎来幸福生活。

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

奶奶因中风后阿兹海默症的自费药成了陈浩志的经济负担，他开始从事同志按摩来维持家计，起初只把按摩当工作的他渐渐发现对男性的身体有一种本能上的慾望，他开始流连在这些关係裡。然而，这样自以为家庭、工作、自我，能三全其美的状况下，却演变成更失衡的关係，让陈浩志陷入了更大的纠结与混乱。

奇异的母子关系。母寡儿孤，母Marjo逾中年，儿Sami方少壮，母Marjo酗酒，儿Sami嗜药。母Marjo蝇苟酒中买醉，儿Sami狗且药里度日，两相混沌，伦常或许是可无可有的摆设。超乎之后，得到的是性福还是心安？ 　　时已四十八岁的Tarja Heinula饰演蝇苟母Marjo

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.

在一座有着浓郁哥特风格的宫殿中，美丽的小女孩迎来了14岁的生日。孱弱的烛火驱不散城堡内的黑暗，她忧郁的眼神中也看不到些许的喜悦与幸福。女孩的两边坐着她的母亲和哥哥。这两个人如女孩一样纤弱无力，悲剧般的宿命仿佛夺走了他们所有的快乐。在桌子的对面，则是一切不安的源头，女孩的父亲。他冷峻阴冷，如帝王般统治着这个没有希望的小家。女孩多么依恋妈妈，然而暴君随时可以戕害妻子的性命。柔嫩的小花渴望绽放，而暴风雨正狠狠地压了过来…… 　　本片荣获德国重量级动漫奖2015 Animago Award 最佳青年制作奖。

Theater instructor Jerry starts an affair with Mary, and that starts a chain of events that affect their respective partners Terri and Barry and other characters in the film, creating a web of relationships.