NASA JPL为纪念卡西尼号探测器最后阶段的任务所制作的短片Cassini's Grand Finale（《卡西尼号的壮丽终章》），于2017年4月发布于Youtube。这个短片获得了本届艾美奖的优秀原创互动节目（Outstanding Original Interactive Program）奖。

NASA JPL为纪念卡西尼号探测器最后阶段的任务所制作的短片Cassini's Grand Finale（《卡西尼号的壮丽终章》），于2017年4月发布于Youtube。这个短片获得了本届艾美奖的优秀原创互动节目（Outstanding Original Interactive Program）奖。

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

他年少成名，在伯纳乌圣殿中缔造传奇，他荣誉满贯，在西班牙王朝中成就经典，我们叫他“圣卡西”——纵横足坛20载的超级守护神。

他年少成名，在伯纳乌圣殿中缔造传奇，他荣誉满贯，在西班牙王朝中成就经典，我们叫他“圣卡西”——纵横足坛20载的超级守护神。

瓦西尔是一个聪明而有魅力的保加利亚移民，尽管他无家可归，但还是凭借着惊人的国际象棋和桥牌天赋在城里的一个高级俱乐部出了名。在一位爱尔兰女士的帮助下，他来到阿尔弗雷多家暂住。原本只是一个几天的临时安排，很快就延长到了好几个月。阿尔弗雷多和瓦西尔有着巨大的差距：阿尔弗雷多有自己顽固的生活方式，而瓦西尔过着放荡不羁的生活，对国际象棋的热情是他们唯一的共同点。尽管如此，瓦西尔终将敲开阿尔弗雷多的心门，因为他能让所有与他相识的人，都因他而变得不同。

瓦西尔是一个聪明而有魅力的保加利亚移民，尽管他无家可归，但还是凭借着惊人的国际象棋和桥牌天赋在城里的一个高级俱乐部出了名。在一位爱尔兰女士的帮助下，他来到阿尔弗雷多家暂住。原本只是一个几天的临时安排，很快就延长到了好几个月。阿尔弗雷多和瓦西尔有着巨大的差距：阿尔弗雷多有自己顽固的生活方式，而瓦西尔过着放荡不羁的生活，对国际象棋的热情是他们唯一的共同点。尽管如此，瓦西尔终将敲开阿尔弗雷多的心门，因为他能让所有与他相识的人，都因他而变得不同。

瓦西尔是一个聪明而有魅力的保加利亚移民，尽管他无家可归，但还是凭借着惊人的国际象棋和桥牌天赋在城里的一个高级俱乐部出了名。在一位爱尔兰女士的帮助下，他来到阿尔弗雷多家暂住。原本只是一个几天的临时安排，很快就延长到了好几个月。阿尔弗雷多和瓦西尔有着巨大的差距：阿尔弗雷多有自己顽固的生活方式，而瓦西尔过着放荡不羁的生活，对国际象棋的热情是他们唯一的共同点。尽管如此，瓦西尔终将敲开阿尔弗雷多的心门，因为他能让所有与他相识的人，都因他而变得不同。

《温蒂妮》是导演佩措尔德计划的“元素精灵三部曲”的第一部。接下来的两部将分别涉及气精灵西尔芙和地精灵诺姆。