Two young lovers rob their way across the southland, posting their exploits to social media, and gaining fame and followers as a result.

Two young lovers rob their way across the southland, posting their exploits to social media, and gaining fame and followers as a result.

今東光の同名小説をもとに、依田義賢が脚色し田中徳三が監督した任侠もの。勝新太郎と田宮二郎のコンビによる本作がヒットしたのを受けてシリーズ化され、全十六作品が製作された。 　無類の暴れん坊として知られる朝吉は、人妻のお千代と温泉へ駆け落ちするが、お千代のヒモの生活に飽きてしまい一人で大阪に帰ってきてしまった。幼なじみたちと再会した朝吉は遊郭へ出かけ、琴糸に惚れてしまう。酔った幼なじみが遊郭からの帰りにモートルの貞という男とトラブルを起こしたため、翌日、朝吉たちと貞が対決することになった。貞はその土地で暴れん坊として恐れられる男だったが、朝吉にこてんぱんにやられてしまう。そして貞は徐々に朝吉とともに行動するようになっていくのだった。

Lady-killer Ikki Fujisawa uses his boyish charm and his obvious skill at cunnilingus to habitually seduce and then swindle societally elite women out of millions. Keeping a close eye on Ikki’s adventures in the hope of a slip-up is a thick-skinned detective who resorts to collaborating with a renowned retired conman in his pursuit of this libidinous criminal.The suspenseful “plot” follows Ikki through several gyrating encounters with lovely nudies before the noose slowly tightens around his neck. BUT WAIT!! Could the sheer impact of Ikki’s glowing sexual performance possibly get him off the hook?

Lady-killer Ikki Fujisawa uses his boyish charm and his obvious skill at cunnilingus to habitually seduce and then swindle societally elite women out of millions. Keeping a close eye on Ikki’s adventures in the hope of a slip-up is a thick-skinned detective who resorts to collaborating with a renowned retired conman in his pursuit of this libidinous criminal.The suspenseful “plot” follows Ikki through several gyrating encounters with lovely nudies before the noose slowly tightens around his neck. BUT WAIT!! Could the sheer impact of Ikki’s glowing sexual performance possibly get him off the hook?

在未来世界，一切犯罪的侦破均有智能系统计算得出，传统的刑侦手段再无用武之地，但这一次的案件却将一名刑警定为了罪犯，是真的确有其事，还是智能系统的漏洞? 当科技完全支配人类的思考，那么我们还能被称作“人类”吗?

在未来世界，一切犯罪的侦破均有智能系统计算得出，传统的刑侦手段再无用武之地，但这一次的案件却将一名刑警定为了罪犯，是真的确有其事，还是智能系统的漏洞? 当科技完全支配人类的思考，那么我们还能被称作“人类”吗?

Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with the music video’s endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-bullshit style. 　　Bad Reputation gives you a wild ride as Jett and her close friends tell you how it really was in the burgeoning ’70s punk scene, and their interviews are laced with amazing archival footage. The theme is clear: even though people tried to define Jett and keep her stuck to one hit, she never compromised. She will kick your ass, and you’ll love her all the more for it. 　　Mon. 1/22, 2:30 p.m., MARC, PC 　　Tue. 1/23, 8:30 p.m., Egyptian, PC 　　Fri. 1/26, 3:00 p.m., Redstone 7, PC 　　Sat. 1/27, 9:30 p.m., Wagner, SLC 　　YEAR 2017 　　SECTION Doc Premieres 　　COUNTRY U.S.A. 　　RUN TIME 92 min 　　COMPANY PMK*BNC 　　WEBSITE http://www.pmkbnc.com 　　EMAIL [email protected] 　　PHONE 310-967-7247 　　Director 　　Kevin Kerslake 　　Screenwriter 　　Joel Marcus 　　Producers 　　Peter Afterman 　　 　　Carianne Brinkman 　　Executive Producers 　　Dan Braun 　　 　　Justus Haerder 　　 　　Kathy Rivkin-Daum 　　Co Producers 　　Alessandra Pasquino 　　 　　Margaret Yen 　　Additional Cinematography/Interviews 　　Greg Olliver 　　Post Production Supervisor 　　Alessandra Pasquino 　　Assistant Editor 　　Avo John Kambourian 　　Music Supervisor 　　Margaret Yen 　　Editor 　　Joel Marcus 　　Cinematography 　　Kevin Kerslake 　　Composer 　　Jacques Brautbar

阿尔巴尼亚移民家庭的亚拉，一家五口住在德国汉堡，她每天穿梭超市工作与家庭之间，有如游魂找不到生活方向，直至遇到琪琪，两人爆發奇妙的默契，让她感受到前所未有的自由自在。然而保守的父亲为她选择了丈夫，雅拉决定逃离家庭，与琪琪开车上路，有如《我俩没有明天》的邦妮与克莱德，必须冒险迎向未知，才有机会得到爱情。 　　出生于喀布尔的德国导演阿里哈基姆，首部长片《妳俩没有明天》透过爱情故事，揭露西方与伊斯兰的宗教、族群等文化冲突，全片前半部有如浪漫女女版《爱在黎明破晓时》，后半部随剧情急转直下，一场青春爱恋的《陌路狂花》教人惊心动魄。

阿尔巴尼亚移民家庭的亚拉，一家五口住在德国汉堡，她每天穿梭超市工作与家庭之间，有如游魂找不到生活方向，直至遇到琪琪，两人爆發奇妙的默契，让她感受到前所未有的自由自在。然而保守的父亲为她选择了丈夫，雅拉决定逃离家庭，与琪琪开车上路，有如《我俩没有明天》的邦妮与克莱德，必须冒险迎向未知，才有机会得到爱情。 　　出生于喀布尔的德国导演阿里哈基姆，首部长片《妳俩没有明天》透过爱情故事，揭露西方与伊斯兰的宗教、族群等文化冲突，全片前半部有如浪漫女女版《爱在黎明破晓时》，后半部随剧情急转直下，一场青春爱恋的《陌路狂花》教人惊心动魄。