For almost 13 centuries, from the death of the Prophet Muhammad in 632 to the overthrow of the last Ottoman caliph in 1924, the Islamic world was ruled by a caliph. 　　Translated from the Arabic ‘Khalifa’, the word ‘caliph’ means successor or deputy. The caliph was considered the successor to the Prophet Muhammad. 　　It is a term that has, at times, been abused. 　　In June 2014, a militant group calling itself the Islamic State in Iraq and the Levant (known as ISIL or ISIS) declared the establishment of a caliphate and proclaimed its leader, Abu Bakr al-Baghdadi, a caliph. This proclamation was rejected by the overwhelming majority of the world’s Muslims. 　　ISIL had attempted to appropriate a title imbued with religious and political significance – and in doing so had cast a dark shadow over a rich history. 　　This is the story of the caliph, a title that originated 1,400 years ago and that spanned one of the greatest empires the world has ever known.

被三大门派（仙鹤门、金蚕教、青莲派）封印的妖王为恢复元神迫使手下恶魔吸取老百姓的精元，在至纯之体降临凡间之时，抢夺的男婴白玉郎被仙鹤派所救，18…

请跟随迈克尔·凯恩的新片一起探究英国社会的现状，为那些受害者寻求公正。电影开始于一起发生在光天化日下的暴力枪击事件。几个年轻人因为吸食了毒品，…

故事发生在孝宗年间，锦衣卫兰海平撞破了奸妃狸猫换太子的诡计，他带走了刚刚出生的小公主，并且顺手盗走了宫中珍藏的归元秘笈。兰海平带着妻女和小公主隐居在括苍山上，苦心钻研秘籍，他给小公主取名白云飞（麦丽虹 饰）。 　　一次意外中，马君武（邓浩光 饰）结识了苏飞凤（翁虹 饰）与曹雄（林祖辉 饰），苏飞凤被马君武的英俊和正直所吸引，芳心暗许。一直觊觎苏飞凤美貌的曹雄将她的心思看在眼里，心中很是愤怒。失传已久的归元秘籍重现江湖的消息在武林中掀起了轩然大波，而这阴谋背后的主使者就是当年被兰海平打落山崖的林天独，他早已经练就了一身走火入魔的武功，只想要大开杀戒，称霸武林。

香港佳艺电视台于1976年摄制，改编自卧龙生同名武侠小说，这是有史以来第一次将卧龙生小说改编拍摄为电视连续剧。本剧在当年引起很大反响，关正杰、华娃合唱的主题曲《仙鹤神针》成为传唱一时的经典，1993年香港再度拍摄电影《新仙鹤神针》（梁朝伟主演）即借用了这首歌。

明末，昆仑派弟子马君武上路找寻一本可以号令天下之归元秘籍，而途中邂逅骑着仙鹤、善发神针之白云飞，互生情愫。但武又被两位师妹及天龙帮苏飞凤痴缠，武周旋当中，不亦乐乎。此外，各派高手纷纷涌至争夺秘籍，而满清九贝勒萧俊竟也潜入中原，并夺得号令武林之金牌，迫各派归顺，武乃联合身边红颜知己，与俊对抗，号召武林联手抵挡外敌入侵。

江湖上腥风血雨多年，各门各派决定开个金盆洗手大会化解仇怨，仪式正在进行的过程中，上空忽然有一头仙鶴飞过，扔下紊传说中包含充最年高武学造诣的“归元秘笈”，众人立刻展开新一轮的抢夺战。昆仓掌门玄清得到藏真图，弟子马君武（林家声）、李青莺（陈好逑）向师伯玉真子报告，遭天龙镖局苏朋海（骆恭）伏击，被白鹤青年白云飞（邓碧云），海女飞凤（于素秋）救助。马君武得到《归元秘笈》，群雄来抢，发现是假的。玉真子中毒，玄清去大觉寺求雪参果，和李青莺一起被恶僧掳走。白云飞将他们救出，并告诉马君武自己是女儿身。飞凤放火烧寺，白云飞中毒掌，马君武护送她回山找师傅治疗。

Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.