巴布鲁（沙鲁克·汗 Shahrukh Khan 饰）是一个孩子气而上进的年轻人，他有三个生活目标：让妈妈幸福、成为世界上最好的厨师，以及第三个目标是个谜。然而，他相依为命的妈妈却希望他继承家族传统，成为一名光荣的摔跤手。一次偶然的机会，他不仅获得了梦寐以求的好工作，成为了一家五星级酒店的主厨，还结识了美丽的女上司索尼娅（玖熹·查瓦拉 Juhi Chawla 饰），两人之间产生了好感，美好的生活似乎就在他面前展现出来。 　　另一方面，马努（沙鲁克·汗 Shahrukh Khan 饰）是一个残忍的黑社会分子，由于同伙的出卖，他被关进监狱。然而，他设法从监狱中逃脱，然后寻找他的同伙，开始了疯狂的复仇行动。他有一个红颜知己叫莉莉（索娜丽·本达里 Sonali Bendre 饰），她常在他陷入困境时帮助他脱身。这两个人的生活本没有任何交集，但因为他们长得如出一辙，引发了一系列笑料百出的情节。

巴布鲁（沙鲁克·汗 Shahrukh Khan 饰）是一个孩子气而上进的年轻人，他有三个生活目标：让妈妈幸福、成为世界上最好的厨师，以及第三个目标是个谜。然而，他相依为命的妈妈却希望他继承家族传统，成为一名光荣的摔跤手。一次偶然的机会，他不仅获得了梦寐以求的好工作，成为了一家五星级酒店的主厨，还结识了美丽的女上司索尼娅（玖熹·查瓦拉 Juhi Chawla 饰），两人之间产生了好感，美好的生活似乎就在他面前展现出来。 　　另一方面，马努（沙鲁克·汗 Shahrukh Khan 饰）是一个残忍的黑社会分子，由于同伙的出卖，他被关进监狱。然而，他设法从监狱中逃脱，然后寻找他的同伙，开始了疯狂的复仇行动。他有一个红颜知己叫莉莉（索娜丽·本达里 Sonali Bendre 饰），她常在他陷入困境时帮助他脱身。这两个人的生活本没有任何交集，但因为他们长得如出一辙，引发了一系列笑料百出的情节。

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

Telling harsh truths about the modern music business, Artifact gives intimate access to singer/actor Jared Leto and his band Thirty Seconds to Mars as they battle their label in a brutal lawsuit and record their album This Is War. The film is a true artifact of our times, as its subjects struggle with big questions over art, money and integrity.

Telling harsh truths about the modern music business, Artifact gives intimate access to singer/actor Jared Leto and his band Thirty Seconds to Mars as they battle their label in a brutal lawsuit and record their album This Is War. The film is a true artifact of our times, as its subjects struggle with big questions over art, money and integrity.

The Peek Frean biscuit factory, Keeton's Road, Bermondsey, South London. 　　The boiler room generates the steam that runs the overall biscuit-making operation. Milk and flour is delivered and unloaded. The various ingredients are collected, weighed and mixed, and the resulting dough is rolled out onto trays. These are placed in the cutting machine to form the biscuit shapes, and then transferred to the ovens. After baking, women pack the biscuits into tins. 　　The factory workers undergo a fire drill (with appliances) in the yard and have a lunch break. Empty biscuit tins are washed, and full tins are weighed, labelled and soldered for export. The tins are packed into crates and boxes and loaded onto a conveyor belt. 　　Horse-drawn carts and vans are assembled and loaded. They transport the biscuits out of the factory for distribution to the outside world.

The Peek Frean biscuit factory, Keeton's Road, Bermondsey, South London. 　　The boiler room generates the steam that runs the overall biscuit-making operation. Milk and flour is delivered and unloaded. The various ingredients are collected, weighed and mixed, and the resulting dough is rolled out onto trays. These are placed in the cutting machine to form the biscuit shapes, and then transferred to the ovens. After baking, women pack the biscuits into tins. 　　The factory workers undergo a fire drill (with appliances) in the yard and have a lunch break. Empty biscuit tins are washed, and full tins are weighed, labelled and soldered for export. The tins are packed into crates and boxes and loaded onto a conveyor belt. 　　Horse-drawn carts and vans are assembled and loaded. They transport the biscuits out of the factory for distribution to the outside world.

香港五十年代獨一無二的黑幫片。在幫會長大的刀疤項成（王豪），從義父手上繼承了幫會。但是義父的遺孀及親子，卻受到來自城市、愛慕虛榮的女子所誘惑，只重物慾，勾結日本人，把幫會的道義傳統破壞淨盡。項成最後只有以血來清洗。《傳統》將取材自西方的黑幫片結構，加上中國的俠義精神，創出一個傳統道義與腐蝕人心的城市物慾對抗的寓言，成為香港黑幫片一個基本模式。唐煌拍來神完氣足，王豪飾演的刀疤項成，充滿男兒氣概，是五十年代難得一見的「大佬」形象。