Against a dark background, several bright, curved or rounded shapes pulse towards the center of the screen, one at a time. They are followed by many other shapes, some irregular, some pointed, others rounded. The abstract shapes move into or across the screen in harmony with the musical score.

One of those courageously provoking and smashing films that make you breathless, restless and uncomfortable. This unique, wise and rough blend of cinema, theatre, musical and comedy will radically divide spectators and critics for their differing opinions. A political, cruel and original film spiced with dark humour, which makes an urgently needed and impactful statement against injustice, prejudice, discrimination and racism against the Roma people, the biggest European minority. 　　Everything you see is part of the play “Gypsy Hungarian” performed at Deutsches Theater Berlin. An all-Roma creative team worked together for six years, backed by the Open Society Foundation, to educate marginalised Roma youth through performance art training. The leading characters never hide their true names as they talk, shout, joke, lie, debate, or doubt directly to our faces without a fourth wall. Gypsy boys and girls interpret, sing, dance, satirise their own painful life stories, recurring traumas or unfortunately real experiences with scars on their hands. 　　Musician and traffic warden Edmond rushes to clear his name, although he never had sex with his sisters. Drug dealer Mario is a wannabe poet. Professional dancer Romeo is laughed at by the audience and suffers domestic violence. The first Gypsy palaeontologist Cristopher tries to become temporarily rich through brutality. Szintia encounters a shady guy who threatens to sell her to Romania as a whore. They are demoralised, exploited, ridiculed, criminalised and disgusting, but they are also people like us. This film is not seeking the audience’s compassion. 　　The camera moves, spins, rides, slides, turns, lurks, and pans down with intentions to fool us that it may be a one long continuous shot with a fruitful and unparalleled supporting cameo role by former Berlin’s Panorama Big Boss Wieland Speck and a real Gypsy house, magnificently delivered to the stage in 3,000 numbered pieces, full of smoke and filth. 　　Ádám Császi received an unofficial five-year ban on filmmaking for his debut “Land of Storms” in Panorama at Berlinale 2014 (probably the first Hungarian gay coming-out film ever made). He continues to bravely oppose the systemic authoritarian Orbán-regime, which may possibly bring him another punishment.

作為4月清新上演的新劇製作，TBS已定由KAT-TUN中田中聖擔任《特急田中3號》（播放時段未定）的主演。此部青春偶像劇的主人公所在大學位於東京，在校學生成績偏差值小，片中講述這位愛說大話的青年與鐵道御宅族間發生的一系列故事。描繪了一群擁有鐵道知識卻一無是處的大學生們為愛情為未來奮鬥的過程。腳本由《浮華世家》的橋本裕志擔當，導演由《HOME DRAMA》（04），《詐欺獵人》（06）等劇的平野俊一，以及《木更津貓眼》（02）系列的金子文紀擔當。製片人由親自編製過《木更津-》《龍與虎》（05，以上均為TBS系）的磯山晶擔任。製作方表示之所以想為田中量身打造一部新劇，是因為被其在《MY BOSS MY HERO》中充滿活力的演技所感染。 　　田中演繹的主人公名為田中一郎，是一個毫無女人緣又自戀的人。一聽說能夠有機會與女生搭訕，抵不住誘惑的主人公加入了所謂的“鐵道研究會”。於是與奇怪的“戀鐵癖”二人組臭味相投，鹵莽的向偶遇的美女職員三人組發起了攻擊… 　　製作人磯山說：“我們不光是希望讓大家了解那些對鐵道瘋狂的人們，更希望呈現給大家一份因執著而閃光的人生。那些深愛著鐵道的人，他們堅信即便是目的地一樣，各站停車駐足享受的旅者永遠比坐上特快匆匆離去的過客快樂許多。此劇將要刻畫的正是這群御宅族們喜憂參半的日常生活。”

“以身体语言和镜头语言相结合的方式，对人的各种身份的存在依据，进行了深度探索的哲学影像”

以北南和温薇为首的VR游戏开发团队，突遇金主自杀而项目搁浅。这时，一个神秘投资人出现，投下重金要求团队开发以古宅京城81号为主题的惊悚游戏。团队接下任务，并按要求把工作室搬进了京城81号。从此，古宅内、游戏里，诡异的事件连连发生，导致北南和温薇心生芥蒂。而在之后的测试中，竟有工作人员暴毙于游戏之中！追查之下，这款游戏的开发竟然是基于民国时发生在此地的一件真实事件。一时间，游戏内外，前世今生，真假难辨，众人性命岌岌可危。而当恐惧越来越浓时，大家惊讶地发现，这一切竟与金主之死和神秘投资人有着莫大的关联……