Last day of a divorcing couple where they start to share a feeling to make the last day to be a good one. but the more they get closer, the more they realize the relationship is already over.

Last day of a divorcing couple where they start to share a feeling to make the last day to be a good one. but the more they get closer, the more they realize the relationship is already over.

A long-distance driver, a drifter, journeys from a tenuous reality into a vision of the afterlife, called forth by the spirit of the mountain. 　　Storyline： 　　I received a phone call from a friend I hadn't heard from in years. I answered, excited, but on the other end was only uncontrollable sobbing. "Daniel passed away," she said, through choppy breath and loud tears. A shrill, hot, ringing sound filled my ears. Our mutual friend had overdosed on heroin. I first met Daniel during one of those hazy, humid summers you only get in Georgia. He was a living enigma: overflowing with mystery, and a sarcastic humor about what it was to be human on this planet. Our time together was spent driving around the suburbs, skinny dipping in the creek, and spending sleepless nights making art together. I was lucky to become close friends with him, he was the kind of person you meet once and never forget. During this time I had decided to come out as gay, despite a lot of backlash from the very conservative community I was living in. Daniel was the antithesis of all of that. He wasn't spitting hate and shame, but instead loved me for who I was. He continued to treat me with respect like the friends we always were. Daniel was the first person that was very close and special to me, to pass away. It happened like a flash. This sent me reeling through the long night trying to make some kind of peace. Which is when I started to write.—Caleb Addison Lanier

讲述了两个在飞机失事中幸存的男女，在科罗拉多州渺无人烟的荒山野岭等待救援的日日夜夜中相爱的故事。

意大利新锐导演维多利奥·摩洛（Vittorio Moroni）初执导筒便赢得满堂喝彩，荣获2006年意大利国家电影奖最佳新导演提名。 　　影片简介： 　　15岁的瓦伦蒂娜心中装满了希望、疑虑和问题。自从母亲死后，她便越来越依恋父亲，她父亲是个沉迷摄影的出租车司机。两父女的关系如胶似漆，容不下别人。日子一天天流逝，瓦伦蒂娜开始感觉到这种关系在不断受到限 制，还开始感到压抑。但当她最终有机会独自生活，做个大人的时候，她的努力遭到外来的妨害…… 　　导演维多利奥·摩洛尼1995年毕业于米兰电影学院的电影导演系。他为电视拍摄过许多工业及宣传上的纪录片和电视节目。作为一名剧作家，他分别于1998年和2003年获得了最佳原创故事剧本奖。《你要变成一匹狼》是他的第一部长片电影。

17岁的高中生乌里需要克服融入社会的心理障碍，他在家一直和母亲同住一个房间，而最近父亲的忽然离开更让他无所适从。他试图在学校和家庭的脆弱关系中找到自己的位置，面对自己的未来和即将开始的军队生活，乌里开始有点恐惧。

Motherhood has its side that is so personal and this film allows us to taste the feel of it. Women’s history is not a history about women only; it is a history of life. The womb is reproductive, it is essentially the foundation of civilisation.

17岁的高中生乌里需要克服融入社会的心理障碍，他在家一直和母亲同住一个房间，而最近父亲的忽然离开更让他无所适从。他试图在学校和家庭的脆弱关系中找到自己的位置，面对自己的未来和即将开始的军队生活，乌里开始有点恐惧。

关于本片 　　马拉雅拉姆语电影的里程碑。一对私奔的情侣发现自己置身于一个无情的世界中。 　　故事梗概 　　维斯瓦纳坦与茜塔的婚姻不被家人接受，于是决定私奔，离开了家乡，想要在新的地方开启新的生活。维斯瓦纳坦是一位很有抱负的青年，希望报社可以发表他的小说，却发现现实比想像中无情。好不容易获得动物学讲师的工作，却又被解雇了，而且不幸地在照顾患病同事的时候染病，无法负担高昂的医药费。妻子找到售货员的工作，却无力支付保证金。他们起初住在旅馆，后来也要搬到贫民窟，与老太太佳纳克伊和妓女卡利安妮为邻。最后当她要独力喂养孩子的时候，眼前是一扇紧闭的门，以及印度史诗《罗摩衍那》的选婿图。本片是印度新电影运动的重要作品之一，呈现时代洪流下个体命运的漂浮，使用同步录音，并充分发挥背景音乐的叙事作用，烘托人物的内心情感。 　　导演信息 　　阿多尔•柯普莱克里什汗（1941-）是著名印度导演，印度新电影的领军人物之一，出生于印度喀拉拉邦，进入印度电影电视学院学习导演专业之前，已经撰写并执导了超过20部舞台剧。1965年，他成立了一家电影合作社，开创了主流商业片之外的电影制作与发行模式。《自己的选择》（1972）是他导演的第一部电影，亦是马拉雅拉姆语电影的里程碑。除了自己编剧，他也跟一些知名的马拉雅拉姆语电影编剧合作，展现受到残酷社会压迫、与社会格格不入的人们的多面形象。他的其他重要作品有讲述一个贵族家庭衰落的《绝境》（1981）、刻画一个幻想破灭的共产主义者形象的《面对面》（1984）、展现两个人跨过监狱的墙建立了一个特殊联系的《墙》（1989）等，其中《墙》赢得威尼斯电影节国际影评人联盟奖。出于对喀拉拉邦传统表演的兴趣，他也拍摄了多部关于印度民间传统舞蹈的纪录片。他的电影著作包括《电影世界》一书，阐述了他的电影实践。