Zvenigora is, in terms of narrative and content, one of the most remarkable avant-garde films of an exuberantly experimental period. The film uses the central construct of a legend regarding treasure buried in Mount Zvenigora to build a montage of scenes praising Ukrainian industrialisation, attacking the European bourgeoisie, celebrating the beauty of the Ukrainian steppe and re-telling ancient myths. 　　The narrative is built upon Modernist lines, disregarding the traditional, novelistic storytelling techniques and instead using abrupt shifts in time and using the constructive devices of avant-garde poets such as Blok, Bely and Mayakovsky to create a picture of modern Ukraine that pushes in several directions at once. 　　There are some incredibly striking tableaux that require the viewers to create a structure for themselves (such as the Bolshevik soldier directing his own execution) although the climax does draw the preceding events together, combining the dialectical threads of modern industry and the old man's myth together in two exhilarating scenes. 　　The cinematography is fascinating - elements of the style of Eisenstein, Pudovkin, Protazanov and Kuleshov are recognisable, yet Zvenigora seems completely different to any of them. The juxtaposition of rapid montages, swift city tours and slow, poetic journeys around the countryside is powerful, and the mythical scenes, although winding, are beautifully realised with a dreamlike quality to them. 　　Zvenigora is not Dovzhenko's masterpiece, if only because his Earth (1930) is one of the greatest Russian films ever made. However, it is highly recommended, although if you are new to Russian film of the period it is probably not the best place to start.

一名舞者决心要将传统的邦拉舞搬上世界舞台，并准备与另一名有着自己梦想的竞争对手进行一场国际比赛。

“杀人狂丽兹·波顿”故事将再现银幕，克里斯汀·斯图尔特、科洛·塞维尼有望加盟。1892年，波顿涉嫌杀害父亲与继母，却因柔弱形象与缺乏证据获无罪释放，引发争议。

演员没有孔维一，我提供那版是按照片尾字幕来的。

演员没有孔维一，我提供那版是按照片尾字幕来的。

Lizzie, a young woman with amnesia, slowly comes to realise that she may have been responsible for the horrific murder of her parents. After returning to the family home, Lizzie has terrifying flashbacks to her childhood, and comes face to face with the true horrors of her past. 　　Lizzie Borden took an axe 　　And gave her mother forty whacks. 　　When she saw what she had done 　　She gave her father forty-one. On August 4th 1892, Andrew Jackson Borden and Abby Durfee Borden were brutally murdered with an old household hatchet. The blows of the murder weapon were so violent and numerous that their faces and skulls were unrecognizably disfigured. Although acquitted, it is common knowledge that the daughter, Lizzie Borden, is responsible for the savage evil act. 　　The present day Lizzie Allen suffers from an extreme case of childhood amnesia which not only lays dark her childhood memories but also her relationship or lack there of, of her parents themselves. When Lizzie discovers the news of her father's death she inherits the house she once lived in...and therefore a new place to live. But as she begins to settle in she starts to get a glimpse of her childhood memories along with clues as to what really happened in the Borden household in 1892. We follow Lizzie's journey as she attempts to distinguish between the two and strives to reach her own sanity and happiness while doing so

《兹心》里有科普，也有温情，有抑郁症患者或家属的坦诚和勇气，也有来自医学、心理、教育、社会各领域专家权威或热心人士的关切和努力，还有创作人的坚持和不忘初心。《兹心》关系的不仅有抑郁症患者，有青少年、中老年、孕产妇、高压职业人群，有家人、身边人，更有生活和生命、自己和心灵。《兹心》由梭码立方影画文化传播(北京)有限公司出品，北京神经科学学会和梭码立方影画文化传播(北京)有限公司共同发起，杨忠仁先生担任导演、王佳女士担任制片人、张嵘女士担任联合制片人、于常海先生担任荣誉顾问。

1892年，美国麻萨诸塞州一个名叫瀑布河的小镇里，原本平静的生活被一把斧头打破。镇里文弱的大家闺秀丽兹-波顿竟冷血地用斧子砍死了自己的亲生父亲和继母…

在世界末日之后，一群虔诚的沉默的狂热者追捕着 Azrael（萨玛拉·维文 Samara Weaving 饰），一个逃脱了自己的监禁的年轻女人——她将不惜一切代价活下去。

纽约的公园里，菲力兹（Skip Hinnant 配音）和他的朋友打算约对面的三个女孩。于是，他向三个女孩谎称自己有一颗等待救赎的灵魂，邀请她们去“救赎”（Seek the Truth），随即将他们带到了一个肮脏的公寓内，四个人一丝不挂的在浴缸里进行他们的“救赎”行动。另一方面，猪警察为了逮捕逃犯，走进了公寓，逃犯趁机躲进了浴室，猪警察冲进了浴室，不巧浴室的水管爆破，将所有人都冲走了。 　　菲力兹回到了自己的寝室，但室友没忽视它的存在，他决定离开这里，并打算一把火将这一切化为灰烬。火势蔓延整个宿舍，将整个房子烧毁…… 　　影片改编自罗伯特（Robert Crumb）的同名漫画，是美国第一部被评为X级别的动画电影，影片描述一只拟人猫在60年代中期的纽约市，探讨了享乐主义和社会政治意识，以及种族关系，自由运动，与左翼和右翼政治。