Alberto Nardi (Alberto Sordi) is a Roman businessman who fancies himself a man of great capabilities, but whose factory (producing lifts and elevators) tethers perennially on the brink of catastrophe. 　　Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi (Franca Valeri) who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money. 　　Alberto tries to "keep up" with his wife and her rich and successful friends but he only manages to ridicule himself. Amused by his antics Elvira publicly treats her husband as a silly clown, confident that he'll never leave her in the hope of profiting from her fortune. 　　One day a train where Elvira was supposed to be traveling (to pay visit to her old mother) suffers a horrible accident falling off a bridge and no survivors are reported. 　　Alberto is overjoyed and in a veritable ecstatic rush plans to liquidate most of Elvira's assets, brings his mistress in her country villa and starts dreaming of a bright future only to be frustrated when Elvira appears alive and well: a last-minute phone call from his own accountant and handyman (Marquis Stucchi) prevented her from boarding the doomed train. 　　Frustration and anger throw Alberto in a nervous breakdown from which he emerges with a diabolic plan: sabotage the elevator in the attic where he lives with Elvira to have her killed and inherit her fortune for good. 　　The German engineer working in his factory agrees with Nardi's plan and with the help of unlikely accomplices like Marquis Stucchi and his own uncle (who acts as Alberto's chauffer) the murderous project is set in motion, with an unintended and tragicomical result. The movie is a splendid example of the commedia all'italiana which Risi directs on an unusually black register where Sordi depicts an outrageously sleazy character (arrogant to his subjects, megalomaniac, a bigoted unrepentant fascist who yet longs for recognition from the businessmen who envies). It is also interesting as a period piece, showing the contradictions and miseries lying behind Italy's postwar economic miracle.

Alberto Nardi (Alberto Sordi) is a Roman businessman who fancies himself a man of great capabilities, but whose factory (producing lifts and elevators) tethers perennially on the brink of catastrophe. 　　Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi (Franca Valeri) who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money. 　　Alberto tries to "keep up" with his wife and her rich and successful friends but he only manages to ridicule himself. Amused by his antics Elvira publicly treats her husband as a silly clown, confident that he'll never leave her in the hope of profiting from her fortune. 　　One day a train where Elvira was supposed to be traveling (to pay visit to her old mother) suffers a horrible accident falling off a bridge and no survivors are reported. 　　Alberto is overjoyed and in a veritable ecstatic rush plans to liquidate most of Elvira's assets, brings his mistress in her country villa and starts dreaming of a bright future only to be frustrated when Elvira appears alive and well: a last-minute phone call from his own accountant and handyman (Marquis Stucchi) prevented her from boarding the doomed train. 　　Frustration and anger throw Alberto in a nervous breakdown from which he emerges with a diabolic plan: sabotage the elevator in the attic where he lives with Elvira to have her killed and inherit her fortune for good. 　　The German engineer working in his factory agrees with Nardi's plan and with the help of unlikely accomplices like Marquis Stucchi and his own uncle (who acts as Alberto's chauffer) the murderous project is set in motion, with an unintended and tragicomical result. The movie is a splendid example of the commedia all'italiana which Risi directs on an unusually black register where Sordi depicts an outrageously sleazy character (arrogant to his subjects, megalomaniac, a bigoted unrepentant fascist who yet longs for recognition from the businessmen who envies). It is also interesting as a period piece, showing the contradictions and miseries lying behind Italy's postwar economic miracle.

因为嫉妒温宁能力强，苏禾联合温宁暗恋了十年的小竹马联手欺骗她，意图害她失去一切。心知肚明的温宁，假意沦陷在与宋奕然的爱河中，将百亿项目和公司首席执行官的岗位拱手相让。正当苏禾沾沾自喜，在调任仪式上大放厥词：要让温宁一无所有。殊不知，温宁早已拿到百亿合作，正等着揭穿苏禾的龌龊诡计。

穿成书中同名恶毒反派，开局就面临被主角团虐杀的结局。危急时刻，【疯狂贴贴系统】绑定成功，只要与关键人物贴贴就能获得保命技 能、逆天 buf。为了活下去，她被迫开启“贴贴狂魔”模式，黏主角、缠大佬、抱反派大腿。

穿成书中同名恶毒反派，开局就面临被主角团虐杀的结局。危急时刻，【疯狂贴贴系统】绑定成功，只要与关键人物贴贴就能获得保命技 能、逆天 buf。为了活下去，她被迫开启“贴贴狂魔”模式，黏主角、缠大佬、抱反派大腿。

池浅修仙失败后穿入书中成为女反派。原本以为池家是小门小户，却不想成为三个舅舅的团宠，外公池厉森更是富可敌国的富豪，瞬间她就想躺平了。池厉森不想池浅一事无成，他监督池浅学习，却不想池浅就像有特异功能一样，竟然无师自通。

池浅修仙失败后穿入书中成为女反派。原本以为池家是小门小户，却不想成为三个舅舅的团宠，外公池厉森更是富可敌国的富豪，瞬间她就想躺平了。池厉森不想池浅一事无成，他监督池浅学习，却不想池浅就像有特异功能一样，竟然无师自通。

龙套演员陈言意外绑定“大犯罪家系统”，需靠模拟犯罪行为续命。他凭借系统技能深耕反派角色，演技逼真到引发全民热议，还登上暗网犯罪榜，被各路罪犯盯上。期间他助警方破案，在导演、经纪人扶持下爆红，却陷入角色与现实的迷失。最终陈言摘得影帝，在舞台上坚守自我，完成了从求生到追梦的蜕变。

夏雨生前是娱乐天王，得罪娱乐圈的资本被谋杀，重生到大夏一个送外卖的打工人身上。原主的老婆给他戴绿帽并跟他离婚。夏雨摆脱这个负心的女人之后，利用脑子里带来的三千首金曲，开始了勇闯娱乐圈的逆袭人生！

自从妻子死后，弗雷德（东尼·卡斯 Ton Kas 饰）一直过着独居的寂寞生活，每天的作息时间几乎分秒不差，他本人则像被上了发条的机器人那样，对生活燃不起丝毫的热情与兴趣。就是这样一个人，在某一天，他与名叫席欧（雷内·凡特·霍夫 René van 't Hof 饰）的流浪汉相遇了，在阴差阳错之中，这个满脑子奇思妙想总是不按常理出牌的席欧住进了弗雷德的屋子，开始了和弗雷德的共同生活。 　　一次偶然中，弗雷德发现他和席欧共同表演的“动物模仿秀”竟然在儿童之间大受欢迎，新世界的大门就此打开，弗雷德和席欧之间逐渐产生了犹如家人一般的亲情。然而，随着时间的推移，街坊邻里之间关于席欧的议论愈演愈烈，这个神秘男人背后的秘密也逐渐揭开。