Very few films, even today, deal with the Kwangju Masacre of 1980 where the military, acting under presidential orders, opened fire on the student demonstrations who were protesting at the coup of the rightfully elected president by General Chung. Thousands were killed and hundreds were arrested (including the winner of the Nobel Peace Prize, President Kim Dae-jung). This is a fictitious account of the events which serve as a sub-plot to a love story, but it was close enough so that it was not shown in most theaters until Chung's hand-picked successor was out of power in 1993.

A secret love affair between a southern Baptist preacher and a young drifter challenges the equilibrium of a growing church.

国家地理野外频道电影制片人贝蒂·格雷戈里带领观众去到标志性的南乔治亚岛探险。

匈牙利男片

《嘻哈民族》是以奶奶RAPPER为概念，选取了来自各领域的八位强势奶奶和已经非常成熟的Producer们进行合作。出演的嘉宾不仅包括《Unpretty Rapstar》中的冠军Cheetah还有《SMTM5》中的实力Rapper们。8名老奶奶在Hip-hop制作人的帮助下进行Rap对决舞台的形式呈现，展现不同年龄段和多样化背景奶奶们的特殊才艺表演，奶奶们的反转魅力让节目变得非常有趣。

《嘻哈民族》是以奶奶RAPPER为概念，选取了来自各领域的八位强势奶奶和已经非常成熟的Producer们进行合作。出演的嘉宾不仅包括《Unpretty Rapstar》中的冠军Cheetah还有《SMTM5》中的实力Rapper们。8名老奶奶在Hip-hop制作人的帮助下进行Rap对决舞台的形式呈现，展现不同年龄段和多样化背景奶奶们的特殊才艺表演，奶奶们的反转魅力让节目变得非常有趣。

乔家兄妹的父亲是东北大学教授，在九一八事变中，他和老伴、儿媳妇惨遭杀害，只有小女儿乔参雨带着幼小的侄子幸免于难。长子乔参天是张学良的副官，他违背张学良的不抵抗命令，奋起抗日，参加和推动了马占山的江桥抗战；二弟乔参霄在投奔黄埔军校后与家里长期失去联络；刚烈的小妹乔参雨杀鬼子报家仇国恨，她每次杀了日寇都蘸血在墙上写下“杀人者，长白女侠”，让日本人闻风丧胆。乔参天支持并辅佐张学良发动了西安事变，并意外见到了随李克农来西安的二弟乔参霄。西安事变后，乔参天辗转回到东北参加了抗联。抗战胜利后，乔参天作为代表来接收长春，家人却已经不可能大团圆了：乔参霄英勇战死，乔参雨的头颅被日本人泡在福尔马林溶液中。乔家兄妹不屈的气质存于民族记忆之中。

乔家兄妹的父亲是东北大学教授，在九一八事变中，他和老伴、儿媳妇惨遭杀害，只有小女儿乔参雨带着幼小的侄子幸免于难。长子乔参天是张学良的副官，他违…

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.