玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。

本片在雲南省昭通市山區一所中學拍攝，用了三星期記錄學校日常活動，如學生上課及老師開會等，以探討國內農村教育情況。本片採用「直接電影」手法，不設旁述及訪問。

This extraordinary picture does not fit into any genre. It is a freak of nature, a acinematic oddity like no other. It took considerable bravery and imaginatio, or perhaps a bliss of ignorance as to the implication of one's actions (common to the artists), to make a film in which for the most part people recite the alphabet. The primer symbolises a key to the people communicate and perceive the world and traditions. The film is premeated with ugliness and lifelessness, which are extraordinary lit and beautifully captured by Jerzy Zielinski's camera. Tradition is dead, communication between people has become ossified in its banal formats, we all know the letters of the alphabet but cannot put them into sentences which would express out true selves.

一个偶然的午后，于亮平遇到了一个叫“扳手”的神秘女子，此后他们以及于亮平的妻子，余妮三个人的关系产生了微妙的变化

该片根据同名网络人气漫画改编，讲述了存在被排斥、家庭暴力、游戏中毒、厌女症等社会问题的中学生逐渐开始与社会接触，并学习如何与人相处的故事。

剧讲述江北初中全校排名第一的学生海俊在母亲的决定下，准备转学到大峙洞中学，并开始进入入学考试战争的前线。顺利考入江南名校后，却总是受到同学们的排挤和人身攻击，对于这一切，海俊又会如何应对呢？

《树木写作颂》是由Jessye Wdowin-McGregor创作的“视频诗”，与著名诗人、小说家、学者、编辑和翻译家欧阳昱（Ouyang Yu）合作完成。该作品反思了欧阳昱长期以来在澳大利亚墨尔本东北郊的布杜拉公园（Bundoora Park）树干和树叶上写诗的日常实践。布杜拉公园是一个大型开放的公园，是欧阳昱近三十年来不断回访的灵感来源地。 　　该作品是在2023年“Correspondences”（墨尔本，澳大利亚）的合作艺术家驻地项目期间创作的，该项目由Emma Thomson策展。视频中所朗读和书写的诗歌均来自欧阳昱，除了两首古代中国诗歌——分别是王之涣的《登鹳雀楼》和李白的《静夜思》。王之涣的诗《登鹳雀楼》/“White Sun”出现在树上，欧阳昱朗读李白的诗《静夜思》/“Thoughts on a Still Night”。注：上述诗歌的标题由欧阳昱翻译。

“Continued explorations of automatism as a practical guide to negotiating the mysterious zone where light and no-light flutter in a fecund equipoise. A homemade rocket to realms unknown to any movie camera or photo lens. In the end, perhaps nothing more than a search for an experience of continuity, a kind of sanity. Failing sanity, a wild ride at least.”

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

昭和中期、日本がまだ夢見ていた頃、街から街へと人々を楽しませて回る「三日月サーカス」という小さなサーカス団があった。そこには仁太と渡という空中ブランコに憧れる兄弟がいた。しかし、不慮の事故により足を傷めた仁太は、夢がかなわぬままサーカス団を去ってしまう。