皮埃尔·尼内([弗兰兹])和阿娜伊丝·德穆斯捷([新女友])新片[舍己救人](Sauver ou périr，暂译)将于本月16日开拍。该片将由弗雷德里克·特利尔([杀手一号])执导，剧本由导演和大卫·奥霍芬共同撰写。电影聚焦巴黎一位消防员，当他自己经历了一场严重的火灾后，他必须同妻子一起重建生活。

皮埃尔·尼内([弗兰兹])和阿娜伊丝·德穆斯捷([新女友])新片[舍己救人](Sauver ou périr，暂译)将于本月16日开拍。该片将由弗雷德里克·特利尔([杀手一号])执导，剧本由导演和大卫·奥霍芬共同撰写。电影聚焦巴黎一位消防员，当他自己经历了一场严重的火灾后，他必须同妻子一起重建生活。

肖邦的《G小调第一叙事曲》总长仅九分钟，诞生至今已有近二百年，却依然有着特殊的魅力，不但在视频网站上创下数百万的点击率，更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香，在各自经历了人生的不幸之后，因肖邦的叙事曲而重新振作，勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场，详细剖析这首不同寻常的钢琴曲，为我们揭开音符中的奥妙。 　　This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways. 　　Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface. 　　For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory. 　　Paul told us some more about his involvement in the programme: 　　"I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!" 　　The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c 　　The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.

Harry Burck has been kidnapped by South American terrorists, and when the US Government refuses to intervene, Harry's friends decide to take matters into their own hands!

《拯救人类》先导概念片是由兰波导演执导的一部废土公路风格的科幻喜剧，讲述了在末日之后人类文明退化到原始状态，一个机器人被一个中二原始人类激活，从而要带领人类重返文明之地。蛮荒懵懂的原始人与未来科技打造的冷峻机器人之间存在了极大的风格反差，也碰撞出了很多笑料。

老年人李秀英因为摔倒，急需动手术。巧合的是，李秀英是陈教授的前婆婆，而且在李秀英离婚前，经常被李秀英的丈夫（即刘有德）折磨。但是本着以人为本的原则，陈琳还是过来给李秀英动手术。但刘浩和严娇娇阻止医生前往医院，还羞辱陈琳，被路人拍下视频，上了热搜。谁知李秀英醒后，得知自己因为医生差点赶不到，差点死掉，要求院方对主治医生陈琳追责，还说要直播曝光陈琳的所作所为。没想到阻拦陈琳给自己施救的，恰恰是儿子刘浩。李秀英看完事情经过感到羞愧，拉着丈夫刘有德和刘浩给陈琳下跪。最后坏人得到应有的惩罚。

记录了我的朋友，一名叫刘柄鑫的说唱歌手，2017-2021年间的生活。

南の島からカップラーメンの容器に乗ってやってきた小さな神様・カミタマン。彼は小学生・根本シンスケと知り合い、シンスケにネモトマンに変身する能力を与える。かくて展開する、カミタマンとネモトマンの起こす数々の珍騒動……。 　　不思議コメディーシリーズ第５弾。本作品では、ヒーロー番組の元祖ともいえる東映がヒーロー番組のパロディに挑戦することとなり、ファンを喜ばせた。さっそうと立つネモトマンをバックに間抜けな歌声が流れる名ＥＤ、「スーパーヒーローになりたいな」が忘れがたい。本作品でも神様を佃煮にしようとする佃煮博士や、とらばる聖子など浦沢義雄脚本的な人物が続出する。また、途中から加わったモスラのパロディ的キャラクター・モスガの吹き替えを声優・矢尾一樹が好演していた。

南の島からカップラーメンの容器に乗ってやってきた小さな神様・カミタマン。彼は小学生・根本シンスケと知り合い、シンスケにネモトマンに変身する能力を与える。かくて展開する、カミタマンとネモトマンの起こす数々の珍騒動……。 　　不思議コメディーシリーズ第５弾。本作品では、ヒーロー番組の元祖ともいえる東映がヒーロー番組のパロディに挑戦することとなり、ファンを喜ばせた。さっそうと立つネモトマンをバックに間抜けな歌声が流れる名ＥＤ、「スーパーヒーローになりたいな」が忘れがたい。本作品でも神様を佃煮にしようとする佃煮博士や、とらばる聖子など浦沢義雄脚本的な人物が続出する。また、途中から加わったモスラのパロディ的キャラクター・モスガの吹き替えを声優・矢尾一樹が好演していた。

Using found footage from the early 70s porn films, Michael Brynntrup creates a humorous and titillating moving collage of mediated erotic imagery - one that keeps promising the viewer always anticipated cum shot, as well as asking the question, "How 'graphic' does an image have to be before it comes pornographic?"»All You Can Eat« by Michael Brynntrup takes the 'cum-shot' to new heights with a montage of some of the wildest, orgasmic, facial expressions ever composed to a mellow, easy listening sound track.