德国政治喜剧《无产阶级的冬日童话》(2014)是对已遭讽刺淘汰的意识形态的插科打诨。三名来自格鲁吉亚的年轻清洁工来到德国收藏家的勃兰登堡城堡，布置眼下现代艺术展的名流开幕宴会。面对管家的监视刁难和宾客们不自在的打量，他们对无理苛求的唯一可行反应便是将懒惰作为被动抵抗。宴会期间被关在顶楼的这些现代流氓无产阶级轮番讲述着臆造的历史寓言（从苏联厂长经理的降神会、圣方济各的冒险与农民内斗，再到调查资本主义肤浅乐趣的无政府主义者），试图为阶级关系能否被突破的问题寻找答案。同时他们决定以潜入楼下偷蛋糕的方式付诸实践。（小易甫字幕组）

德国政治喜剧《无产阶级的冬日童话》(2014)是对已遭讽刺淘汰的意识形态的插科打诨。三名来自格鲁吉亚的年轻清洁工来到德国收藏家的勃兰登堡城堡，布置眼下现代艺术展的名流开幕宴会。面对管家的监视刁难和宾客们不自在的打量，他们对无理苛求的唯一可行反应便是将懒惰作为被动抵抗。宴会期间被关在顶楼的这些现代流氓无产阶级轮番讲述着臆造的历史寓言（从苏联厂长经理的降神会、圣方济各的冒险与农民内斗，再到调查资本主义肤浅乐趣的无政府主义者），试图为阶级关系能否被突破的问题寻找答案。同时他们决定以潜入楼下偷蛋糕的方式付诸实践。（小易甫字幕组）

The year is 1921. Lenin and the Bolsheviks have just defeated the White Army and ended the Russian Civil War. However, the valuable diamonds that belonged to the ousted royal family are beginning to disappear. The Cheka have discovered that they are being smuggled out of the country by White sympathizers, and are determined to catch the thieves. Part detective mystery, part spy thriller, and part action adventure, Diamonds for the Dictatorship of the Proletariat is one of the defining Estonian films from the Soviet era.

BBC为纪念1956年匈牙利十月事件50周年而拍的电视纪录片，拍得不错，对东欧历史和革命感兴趣的人可以看看。4/5

Twenty-eight years after the fall of communism and on the eve of a new presidential election, Hungary has arrived at a political crossroads. Is the country about to embark on another four years of right-wing populism, with Viktor Orbán and his Fidesz party remaining in power, or will former Prime Minister Ferenc Gyurcsány and his pro-European left-wing party prevail? Filmmaker Eszter Hajdú followed both campaigns, but also gained access to the personal life of Gyurcsány. The resulting unique and sometimes moving scenes reveal the exhaustive efforts made by the candidate and his wife to get Hungary to shift to the left. 　　The results of this electoral battle were announced on April 8, 2018, but that does nothing to diminish the urgency of this film’s compelling central question: what motivates the right-wing voter? This is more than just a courageous and well-crafted account of a political battle. It’s a film for anyone seeking to better understand the rise of nationalism, in Europe or elsewhere. The fact that the names of some of the people who worked on the film don’t appear in the credits is testimony to the fact that Hajdú’s political portrait stepped on a lot of very sensitive toes.

Twenty-eight years after the fall of communism and on the eve of a new presidential election, Hungary has arrived at a political crossroads. Is the country about to embark on another four years of right-wing populism, with Viktor Orbán and his Fidesz party remaining in power, or will former Prime Minister Ferenc Gyurcsány and his pro-European left-wing party prevail? Filmmaker Eszter Hajdú followed both campaigns, but also gained access to the personal life of Gyurcsány. The resulting unique and sometimes moving scenes reveal the exhaustive efforts made by the candidate and his wife to get Hungary to shift to the left. 　　The results of this electoral battle were announced on April 8, 2018, but that does nothing to diminish the urgency of this film’s compelling central question: what motivates the right-wing voter? This is more than just a courageous and well-crafted account of a political battle. It’s a film for anyone seeking to better understand the rise of nationalism, in Europe or elsewhere. The fact that the names of some of the people who worked on the film don’t appear in the credits is testimony to the fact that Hajdú’s political portrait stepped on a lot of very sensitive toes.

在保加利亚的一个小镇，年轻的老师在寻找一个盗贼，因为她想通过教育改变人心。然而当她自己陷入危机的时候，她能否为自己寻找出正确的道路？

Unable to find inspiration for his newest piece, young author Liam (Daryl McCormack) takes on the titanic weight of tutoring the son of legendary writer J.M. Sinclair (Richard E. Grant) and his wife Hélène Sinclair (Julie Delpy). Reeling from the mysterious passing of their eldest son, the Sinclairs push Liam to work harder and invite him to stay on the estate grounds with them. Soon enough, lies big and small unfurl as a well-intentioned exercise quickly transforms into a saga of lust, betrayal, jealousy, and the quest for legacy-defining relevance. A battle of wits begins with everyone carrying much to lose. 　　Delpy, Grant, and McCormack all make triumphant returns to Tribeca in a drama bubbling with explorations of authorship and the inextricable link between family, no matter how broken. Thrilling and darkly comedic, the project questions the efficacy and sour ethical dynamics which may arise from mentorship and the tenuous hopes and dreams many wrap around that very concept. 　　源自：https://tribecafilm.com/films/lesson-2023

一个美丽的年轻女子有着蒙娜丽莎般的微笑，在一次看完莫扎特《魔笛》后，她邂逅某英俊男子。他们的结合诞生一个男孩，后来女子突然去世，男孩迷失在布达佩斯的茫茫人海中。他发誓要找到自己的亲生父亲，然而出生证上父亲的名字是虚构的。片名所指的童话是一只巨大的飞鸟，传说中飞来拯救匈牙利。在影片中，它出现在一部电视卡通片的开头，最终再度重现，将男孩带走。

一群匈牙利农民在德国当劳工的经历。