互联网（很快将成为电影、电视、广播等）现象，博·伯翰为您带来了他在波士顿布鲁斯之家推出的第一个一小时的单口相声特辑《Bo Burnham:Words，Words》。

著名网络音乐人博·伯翰的音乐单口相声节目。

本片将带你进入《纽约时报》纵横字谜栏目编辑Will Shortz的世界。被无数人认为是全国公共电台（National Public Radio）“字谜大师”的他，穷尽毕生心血研究，创造和编辑着字谜，并且用有了众多的拥护者。与他的铁杆fans的交流中你会发现为什么每周有5千万美国人玩纵横字谜。这些人包括前总统Bill Clinton、参议员Bob Dole、The Daily Show的主持人Jon Stewart、电影制作人Ken Burns和杨基队的王牌投手Mike Mussina。

博·伯翰 (Bo Burnham) 在他令人眼花缭乱的全新单口喜剧特辑中探讨了生、死、性、虚伪、精神疾病和品客薯片罐头。

1927年蒋介石公然背叛革命，大肆屠杀中国共产党人，中华大地一片腥风血雨，革命处于危急关头。毛泽东决定组织平江、浏阳的武装暴动与中央配合作战，为此特派共产党员夏明翰到长沙一带进行活动。夏明翰早已做好为革命牺牲的准备，告别妻子后，他来到平江浏阳一带，奔走城乡组织暴动。反动派惨遭挫败后到处悬赏捉拿他。后来革命党军警特务利用叛徒宋若琳终于将夏明翰逮捕。敌人用尽了威逼利诱，严刑拷打种种伎俩，夏明翰始终坚贞不屈。反动派无计可施将他杀害。

一名神经质的中年男子探望母亲的行程被无限期推迟，因为他的钥匙被神秘地从他的门上拿走。 　　随后，他被一系列日益险恶的令人不快的事件所困扰。 　　(虽然在片中并没有表现得很明显，但应该说博曾经使用过一块占卜板。)

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

To compliment a new series on England, this one-off special follows poet Benjamin Zephaniah as he tours Birmingham recalling the influence the city had on him as he grew up there and its continued influence on his work and life today. Charged with composing a poem about the city he revisits the areas of his youth, from Soho Road in Handsworth to Villa Park in Witton - home of Aston Villa football club. As his personal journey continues he visits his old schools and stomping grounds looking for inspiration. Written by bob the moo

施纳普在片中饰演一名对烹饪有着极大热情的男孩，亚伯拉罕。他将师从一位巴西大厨，共同发掘美食的秘密，以及学会如何用一道好菜，化解父母之间的矛盾。