The film tells the story of a woman in her thirties who goes back to her hometown for the summer and reunites with a former lover; she is torn between her “real life” at university with her boyfriend and the “fantasy” of her romance in her hometown.

阿达，一个美丽的服装设计师，她和男友编剧保罗的感情看起来不冷不热。古多是保罗的搭档，他因为自己的爱情困扰时常向保罗诉苦，并请求帮助。保罗对此无可奈何。阿达建议把自己的助手，新来的年轻设计师丽萨介绍给古多，不想丽萨却疯狂地追求起保罗。 　　制片人阿尔方斯是一个花花公子，他的爱情理论刺激了保罗，使他最终接受了丽萨的爱情，并在阿达怀孕之际离开了她。艾玛是一个没有才华，也没有爱情的女歌手，她无意中的几句话触动了女友如云的阿尔方斯内心的空虚，因而获得了阿尔方斯的爱。阿方斯的女助手尼娜和电影导演伊夫彼此相恋，但是尼娜的内心却爱着阿尔方斯。丽萨的时装展大获成功，她向阿达表明心迹，原来她所做的一切只是想成为像阿达那样的女人。 　　伊夫根据阿达和保罗的故事拍了一部电影，影片美好而感人的结局使阿达和保罗重获爱情。

The film tells the story of a woman in her thirties who goes back to her hometown for the summer and reunites with a former lover; she is torn between her “real life” at university with her boyfriend and the “fantasy” of her romance in her hometown.

1913年，几乎与《难夫难妻》拍摄的同时，一个叫黎民伟的广东人在香港组建了一家名叫“华美”的电影公司，不久该公司就与亚细亚公司合作拍摄了《庄子试妻》，这也是影史上第一部由香港出品的故事短片。严珊珊扮演的虽不是重要角色，却是中国银幕上的第一位女演员。 　　该片的故事讲述庄周死了，他妻子耐不得寂寞，在丈夫尸骨未寒之时便有了新欢。为了使新人高兴，庄周妻带着新情人到庄周的坟墓上骚扰。不料庄周并没有死，他是为了考验妻子是否忠贞而诈死。新情人正是庄周假扮。作为嘲笑夫妻之间虚情假意缺少真诚的讽刺喜剧，主题也颇为积极。影片拍成后，据说“观者万人空巷”。后来布拉斯基还把这部片子带回美国放映。中国影片出国，大概也是从这部影片开始的。

每集5-7分钟，围绕中医药典籍中的精彩看点展开讲述——或再现典籍艰难漫长的成书过程，或阐述典籍中某个不为人知的知识细节，或讲述典籍现代发展中的生命历程，多角度展现一部中医药典籍的“前世今生”。

在中国历史上，每个朝代都会出现一些奇女子的传奇事迹。本剧便选拍了四个奇女子的 传奇故事，四个人物的性格亦构成强烈对比，包括吕后的权力欲望、鱼玄机的浪漫飘逸、 缇萦的亲情孝义、以及白寡妇之豪情侠义。……

《中国历代服饰》（上、下集）

在中国历史上，每个朝代都会出现一些奇女子的传奇事迹。本剧便选拍了四个奇女子的 传奇故事，四个人物的性格亦构成强烈对比，包括吕后的权力欲望、鱼玄机的浪漫飘逸、 缇萦的亲情孝义、以及白寡妇之豪情侠义。……

《中国历代服饰》（上、下集）

Grieshuus tells the story of the conflict between Hinrich and Detlev, two brothers who are the airs to the ruler ship of the titular Grey House, a castle and small town somewhere in rural Germany. The film has two definite arcs. The first tells how Hinrich falls out of favor with his father by marrying a maid (whom he meets while saving her from gang rape by a group of crazed nomads, in one of the first sections most inspired sequences as well as one of its most Griffith-esque), and has himself written out of the inheritance. The vain and aristocratic Detlev returns just in time for their father to have a heart attack. 　　The two brothers spar over control of the castle and land, with the local surfs on Hinrich's side and the law on Detlev's. The conflict swirls out of control, and after the death of Hinrich's young wife, the “good” son Hinrich finally loses any semblance of sanity and brutally kills Detlev on a windy hill. Hinrich, now a fugitive, disappears. The second arc begins a decade or so later, where Hinrich's son has been raised and groomed by the surfs to eventually take over the now shuttered Grey House. Detlev's widow has returned and plans to kidnap the child and take over the land herself, but Hinrich has also wandered back to his old home town, now worn and aged. The Ghost of Hinrich's wife appears and allows for a miraculous rescue by both frightening Detlev's widow and alerting Hinrich to the danger their son is in. Hinrich dies saving his sons life, and we assume as the film fades to black that the child will become a benevolent ruler of Grey House.