菲律宾电影大师拉夫·迪亚兹从陀思妥耶夫斯基的名著《罪与罚》中获得灵感，讲述一个理想幻灭的法律系学生法比安犯下谋杀罪却逍遥法外，被误当成凶手的杰奎恩含冤入狱后，其家庭也随之破碎的故事。与迪亚兹的一系列“慢电影”一样，长达4个多小时的影片由多个长镜头组成，通过冷静客观、不介入主人公情感的平视角度，探讨菲律宾当代知识分子该如何处理沉重的政治遗产、贫富差异加剧如何解决等多个社会议题。入围2013年戛纳电影节一种关注单元，荣登《视与听》杂志2013年度十佳电影第九名。

年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

A young couple struggles to make ends meet, the woman works as a nurse and the young man starts robbing homes and paying visits to lonely housewives.

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

In this short film, Simone Massi takes his inspiration from scenes of wars that really happened - from World War II to the refugee camps of the 6-Day War, from the attack on the Mostar bridge to the cars set on fire in the war in Syria - to tell what they all have in common. 　　“The suffering of civilians is the only truth of any war, and Simone Massi shows it to us starkly. After so many images of the victims about their tragedy, Gino’s words open the horizon to a possible alternative: abolishing war is an urgent necessity. In this film, there is everything Gino has done and thought in his life against the logic of violence,” says Simonetta Gola, Communications Director of Emergency.

A young couple struggles to make ends meet, the woman works as a nurse and the young man starts robbing homes and paying visits to lonely housewives.

In “End", Pelechian films, with a shoulder mounted camera, men and women from different ages and ethnic groups, in a train going from Moscow to Yerevan.

Valeria (Manuela Pal) ha cambiado su Buenos Aires natal por Betanzos, un pueblo de A Coruña del que procede su familia. Excéntrica, soñadora y divertida, a sus 25 años se encuentra en la encrucijada sentimental más surrealista de su vida: tras la repentina muerte de su maduro y atractivo amante, se enamora de Marcelo, el hijo del difunto. Su amiga Adela (María Bouzas), dueña de la peluquería donde ambas trabajan, la ayudará a despejar la incógnita. Y mientras tanto disfrutan con sus vecinos de las pequeñas alegrías, se ríen de las penas y fantasean con tener una vida diferente (inspirada quizá en los carteles parisinos que decoran la peluquería...). Un relato sobre el afán universal de hallar la propia identidad, descifrar la colectiva y vivir el amor en una tierra que nada tiene que envidiar a los bulevares de París.