在遥远的未来世界，人类文明高度发达，人工智能机器人得到开发并且实现量产。然而科技的进步并未给世界带来更多的美好，杀戮反而变得愈演愈烈。在一次任务执行过程中，战斗机器人RL7面对一名无助少女时，突然间产生了迟疑。在此之后，它被带到一间审讯室，它所面对的是一位经验丰富的审讯官。抽丝剥茧的询问，让彼此双方都意识到一个重要问题，那就是R17拥有了感情。R17自以为是有血有肉的人类，它有过去，有家人，有感情。 　　究竟是什么让它发生如此巨大的变化？科研工作者必须想方设法探究它内心深处的秘密……

在遥远的未来世界，人类文明高度发达，人工智能机器人得到开发并且实现量产。然而科技的进步并未给世界带来更多的美好，杀戮反而变得愈演愈烈。在一次任务执行过程中，战斗机器人RL7面对一名无助少女时，突然间产生了迟疑。在此之后，它被带到一间审讯室，它所面对的是一位经验丰富的审讯官。抽丝剥茧的询问，让彼此双方都意识到一个重要问题，那就是R17拥有了感情。R17自以为是有血有肉的人类，它有过去，有家人，有感情。 　　究竟是什么让它发生如此巨大的变化？科研工作者必须想方设法探究它内心深处的秘密……

The military tries to track down a humanoid drone that escapes from a government facility.

As a major storm strikes Texas in September 1900, a mysterious televisual device is built and tested.

The military tries to track down a humanoid drone that escapes from a government facility.

In the near future, life-like androids with artificial intelligence have been created to help people with menial household tasks. The prototype, One, created by Roger Marshall and tested by his family, proves to be popular but flawed. Roger has been working on a new model, Two, whose improved features show promise of its super-human abilities. As tensions rise between Roger and wife Shelley, the androids malfunction and the lives of the whole family are soon in danger of Two's sinister plans.

Margy Kinmonth’s feature documentary shines a light on the trailblazing role of women war artists, on the front lines round the world, championing the female perspective on conflict through art and asking : when it’s life or death, what do women see that men don’t ? Traditionally a male domain, war art by women has been largely unrecognised.… Until now. Culture breaks the taboo, crosses borders—tells the truth to power. Artists featured include Shirin Neshat, Dame Rachel Whiteread, Zhanna Kadyrova, Maggi Hambling, Assil Diab, Dame Laura Knight, Marcelle Hanselaar, Cornelia Parker, Maya Lin and Lee Miller. An entirely female cast of contributors makes this film a unique undertaking – telling vital truths in turbulent times.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state.