Trois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.

Trois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.

»Der Film erzählt vom Rhythmus des Lebens und der Lebensalter. Beschaulich-ruhige Bilder wechseln mit "visuell-schmerzhaften" Bildern (z.B. Selbst-Piercing). Mir ging es in dem Film nicht nur darum, die Motive bzw. die Motivation der Darsteller zu dokumentieren, sondern auch darum, diese Inhalte für den Zuschauer unmittelbar erlebbar zu machen. [...] 　　Mit dem Film ACHTUNG-Die Achtung versuche ich eine Spannung zu erzeugen, die nicht nur zwischen Schock/Sensation und Ruhe/Besinnung pendelt, sondern die es – im Kino wie im Leben – auch auszuhalten gilt.« (Michael Brynntrup)

我佛慈悲，普渡众生；万人信奉的缅甸高僧维拉图，弘扬的佛法却是顺我者生，逆我者亡。菩提树下修行出孽魔恶道，端坐权力祭坛，右手支颐高举和平公义，左手捏指挑起反伊斯兰仇恨，煽动种族清洗罗兴亚人。佛光昭昭下生灵涂炭，令番红花革命染上血色，昂山素姬的民主光环幻灭。始于《独裁者阿敏的自画像》（1974），续于《魔鬼大状》，施罗德终以「佛教恐怖面相」 的曼陀罗完成「邪恶轴心」三部曲。人在做，天在看， 无畏无惧以镜头直视邪恶本相：心若囚笼，苍生难渡。

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

本片改编自萨特的话剧，描写一个纽约妓女在开往美国南方的火车上，见证了参议员的儿子谋杀一个黑人。但为了争取上流社会的“尊敬”，她被迫了自己的黑人男友，在法庭上做了伪证，然而一切徒劳无功。

关于二十世纪初西班牙最臭名昭著的匪徒Felipe Emilio Sandoval（1886-1939）的纪录片，他化名“Doctor Muniz”在西班牙内战的混乱时期大肆掠夺有钱人的财物，号称是“贵族的杀手”，出生在马德里贫民窟的Felipe从小就立志用暴力来实现“社会变革”的理想，后来成为一个彻底的无政府主义者。本片全部为黑白胶片拍摄，无访谈形式，只用旧照片和很多珍贵的有关十九世纪末马德里人们生活景象的影像资料所组成。 　　Documentary examining the life and times of Felipe Emilio Sandoval (1886-1939), aka Doctor Muniz, whose belief in social revolution turned him first into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer. 　　This is the testimony of an obsession, the passionate search for an old anarchist gunman, Felipe Emilio Sandoval, aka Doctor Muniz (1886-1939). Born in the slums of Madrid, earning his living as a bricklayer, his life is marked by the faith in a redeeming dream: social revolution. This will first turn him into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer. With the material from archives and registers and a selection of old movies and photographs, he tries to reconstruct the course of his life and to answer the question of who Felipe Sandoval really was.

美剧《尊敬的法官大人》确定翻拍成韩剧。 　　原作改编自以色列剧《Kvodo》，是一部贯穿新奥尔良社会各阶层的政律惊悚剧。科兰斯顿饰演一名受人尊敬的法官，而其子卷入了一场充满欺骗与谎言的肇事逃逸案。 　　由《第3的魅力》，《Iris2》表明秀导演执导，预计2023年开机拍摄。

是述说以结婚连结的两个家庭内的六名情侣的生活和爱情,结婚以及离婚的故事.并有代表不同世代纠葛的多样夫妻登场, 预计将通过他们克服纠葛来呈现美丽的和睦。