A child struggling with their identity and a charismatic fox learn to embrace their differences in this heartwarming stop-motion animation.

One fascinating facet of late capitalism is that it can take in almost anything and sell it back to us for profit. Particularly in Europe and North America, this has seen the absorption of drag culture and its commodification as mildly irreverent, high-ratings entertainment. Its significant value in normalising gender fluidity notwithstanding, that version of drag loses its inherent radicality, as a repudiation of the very foundations of oppressive social structures. 　　Avant-Drag! paints portraits of nine drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism. 　　A line from the film’s exquisite punk-poetic narration describes this impulse perfectly: it’s “a demand to change the world that comes from the past, looking straight into the future.” And, lest you be concerned, have no fear that there is no shortage of gloriously outlandish outfits and towering high-heeled boots. This is drag, after all.

One fascinating facet of late capitalism is that it can take in almost anything and sell it back to us for profit. Particularly in Europe and North America, this has seen the absorption of drag culture and its commodification as mildly irreverent, high-ratings entertainment. Its significant value in normalising gender fluidity notwithstanding, that version of drag loses its inherent radicality, as a repudiation of the very foundations of oppressive social structures. 　　Avant-Drag! paints portraits of nine drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism. 　　A line from the film’s exquisite punk-poetic narration describes this impulse perfectly: it’s “a demand to change the world that comes from the past, looking straight into the future.” And, lest you be concerned, have no fear that there is no shortage of gloriously outlandish outfits and towering high-heeled boots. This is drag, after all.

Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. Born and raised on the harsh streets of Magadan, a frigid outpost of the Soviet gulag, Gena is only 21. She stages radical performances in public that become a new form of art and activism. By doing that, she wants to change people’s perception of beauty and queerness and bring attention to the harassment of the LGBTQ+ community. The performances - often dark, strange, evocative, and queer at their core - are a manifestation of Gena’s subconscious. But they come at a price. 　　源自：https://schedule.sxsw.com/2023/films/2078988

Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. Born and raised on the harsh streets of Magadan, a frigid outpost of the Soviet gulag, Gena is only 21. She stages radical performances in public that become a new form of art and activism. By doing that, she wants to change people’s perception of beauty and queerness and bring attention to the harassment of the LGBTQ+ community. The performances - often dark, strange, evocative, and queer at their core - are a manifestation of Gena’s subconscious. But they come at a price. 　　源自：https://schedule.sxsw.com/2023/films/2078988

一部温情而幽默的纪录片，这部电影由来自全球的六位杰出的父亲组成，通过访谈录、家庭影片，短视频纪录等形式展现父亲育儿的考验和磨难。

你还以为这是一个重男轻女的世界吗？一切早已经改变了！当居家好男人李（Benjamin Koldyke 饰）和单身汉安吉（阿莫里·诺拉斯科 Amaury Nolasco 饰）一次又一次的为了找工作而四处奔波的时候，他们突然间明白了这一点。既然男人找工作如此困难，那么变成女人的话问题不久解决了么，就这样，两个男扮女装的男人出现在了医药销售代表的队伍当中。 　　要隐瞒这样一个秘密显然不容易，除了辛苦工作外，李和安吉在“如何做一个合格的女人”的问题上颇费苦心。他们能够守住这个秘密吗？当真相被揭穿后，李和安吉又能否凭借他们的智慧与勇气为自己在同事和老板之间赢得他们应得的认可和尊重呢？

皮斯塔切奥（达那·卡维饰）天生就有一项特殊的本领，那就是拥有极高的模仿能力，可以轻易模仿各种类型的人，不过除此之外他好像一无是处，在爱情和事业上都很失败，三十多岁还在父亲开的意大利餐馆中做招待，还经常出错。不过不要急，傻人自有傻福，其实皮斯塔切奥的模仿能力是遗传自他的家族，他是一个神秘的易容世家的后代。在那个家族中，每个人都拥有易容的天赋，他们可以一在瞬间变成另一个人而且模仿得惟妙惟肖，这种神奇的能力使他可以随意进出各种场所而不会受到阻拦。 　　戴林伯曼是一名出狱不久的惯犯，他一直计划盗取世界上最珍贵的珠宝，为了达到自己的目的，他需要利用皮斯塔切奥的伪装能力，为此戴林绑架了皮斯塔切奥的父母。在解救自己的父母的过程中，皮斯塔切奥偶然发现了自己的特殊能力，并从祖父的口中得知了自己是易容世家的后人。在祖父及漂亮女助手詹尼弗的帮助下，皮斯塔切奥渐渐掌握了易容的技巧，并粉碎了戴林的阴谋，成功救出了父母......

Seven iconic drag queens move into a house and are eliminated by group vote until only one queen remains.

卧底警察因为妻子病故选择回归家庭，但女儿的反叛让他手足无措，曾经的仇家更是步步紧逼，但男主力挽狂澜，挽回亲情，获得爱情。