在藏语中，该地区被称为''rgyal-thang''。传说喜马拉雅山脉地下有一个神统治、主宰全人类的神秘王国：香格-{里}--拉。从1922年到 1949年，美国植物学家、地理学者和人类学家约瑟夫·洛克（Joseph Rock，1884－1962）走遍了中国的大西南。他在1928年6月13日开始的一次从四川木-{里}-到西藏亚丁的探险穿越活动因为极富传奇色彩而被美国《国家地理》杂志以探险日记的形式发表，从而引起了学术界的巨大反响。英国小说家詹姆斯·希尔顿以此为背景创作了长篇小说《消失的地平线》，作者在小说中说中国某一处地方就是传说中的香格-{里}-拉。小说极为畅销。很多人以此书寻找香格-{里}-拉。 　　在藏族文化中有“香拔拉”（''Sham-bha-la''，梵文：“持乐世界”）的传说，据说也是处于喜马拉雅山的神秘土地，可能是西方人的“香格-{里}-拉”神话的来源。 　　仍然，中国内外的藏学家都认为，“香格里拉”这个名字和藏族文化毫无关系，仅仅是为了吸引西方游客而杜撰出来的。 　　示巴女王(Makeda, Queen of Sheba)是公元前非洲东部埃塞俄比亚的女王。她在非洲的势力，最强的时候覆盖整个东非。根据《旧约圣经》列王纪上第10章、《古兰经》和其他历史资料的记载，她因为仰慕当时以色列国王所罗门的才华与智慧，不惜紓尊降贵，前往以色列向所罗门提亲。而所罗门王也因此与她犯了姦淫罪(因为他已有妻室)，而被上帝所遗弃，并展开了以色列王国衰落的序幕。示巴女王被以色列人逐回埃塞俄比亚之时，据说已怀有所罗门王的骨肉。而出奇地埃塞俄比亚当地的语言亦与古希伯来语十分近似。此外，存放於耶路撒冷圣殿的约柜在罗马帝国军队屠城之后神秘失踪，据闻就是当年所罗门王在埃塞俄比亚的遗裔把约柜秘密从耶路撒冷运到埃塞俄比亚收藏。这些片断的正史、野史，都或多或少证实了示巴女王当年和所罗门王的关係非比寻常。亦有人凭着《雅歌》第一章第5节的一句，而认为《雅歌》是所罗门王与示巴女王之间的情话。 　　亚瑟王(King Arthur)是英格兰传说中的国王，圆桌骑士团的首领，一位近乎神话般的传奇人物。他是罗马帝国瓦解之后，率领圆桌骑士团统一了不列颠群岛，被后人尊称为亚瑟王。关於亚瑟王的传奇故事，最初如何诞生，源自何处，皆无从查考。究竟亚瑟王是不是以某位历史人物作为基础塑造出来的虚构角色也不得而知。 　　西元800年左右，威尔斯的修士撰写了一本《布灵顿人的历史》，书中首次记载「亚瑟」这个名字，描述他领导威尔斯人抵抗从泰晤士河中游入侵的萨克森人。 　　在希腊神话中，金羊毛是一只会飞、会说话的名叫克里索姆勒斯的公羊的毛。赫耳墨斯将克里索姆勒斯送给色萨利的涅斐勒，让她用这只公羊来运送她的两个孩子海勒和菲利塞斯，来让逃离伊诺的毒手。克里索姆勒斯背着两个孩子向东飞，后来海勒落入海中，而菲利塞斯则安全地到达了科尔喀斯（相当于今天的格鲁吉亚）。菲利塞斯将克里索姆勒斯牺牲给宙斯，把它的羊毛送给了科尔喀斯的国王埃厄忒斯。 　　阿格诺特英雄们取金羊毛的故事发生在此后：当时在科尔喀斯的国王埃厄忒斯据说是太阳神赫利俄斯的儿子和美狄亚的父亲。伊阿宋和其他阿格诺特英雄们企图盗取金羊毛来保证伊阿宋获得他的遗产。最后在美狄亚的帮助下他们克服重重困难获取了金羊毛。美狄亚与伊阿宋结婚。 　　古代作家如斯特拉博、亚壁等对金羊毛的叙述与上述故事有些差别。金羊毛的故事很可能有一定的历史背景。今天的考古发现证明在前三千前两千年时今天的格鲁吉亚地区的冶金技巧已经达到了很高的水平了。尤其金的加工非常精巧。此外当时当地还有许多牧羊的部落。这些文化成就很可能是金羊毛的故事的背景。

在藏语中，该地区被称为''rgyal-thang''。传说喜马拉雅山脉地下有一个神统治、主宰全人类的神秘王国：香格-{里}--拉。从1922年到 1949年，美国植物学家、地理学者和人类学家约瑟夫·洛克（Joseph Rock，1884－1962）走遍了中国的大西南。他在1928年6月13日开始的一次从四川木-{里}-到西藏亚丁的探险穿越活动因为极富传奇色彩而被美国《国家地理》杂志以探险日记的形式发表，从而引起了学术界的巨大反响。英国小说家詹姆斯·希尔顿以此为背景创作了长篇小说《消失的地平线》，作者在小说中说中国某一处地方就是传说中的香格-{里}-拉。小说极为畅销。很多人以此书寻找香格-{里}-拉。 　　在藏族文化中有“香拔拉”（''Sham-bha-la''，梵文：“持乐世界”）的传说，据说也是处于喜马拉雅山的神秘土地，可能是西方人的“香格-{里}-拉”神话的来源。 　　仍然，中国内外的藏学家都认为，“香格里拉”这个名字和藏族文化毫无关系，仅仅是为了吸引西方游客而杜撰出来的。 　　示巴女王(Makeda, Queen of Sheba)是公元前非洲东部埃塞俄比亚的女王。她在非洲的势力，最强的时候覆盖整个东非。根据《旧约圣经》列王纪上第10章、《古兰经》和其他历史资料的记载，她因为仰慕当时以色列国王所罗门的才华与智慧，不惜紓尊降贵，前往以色列向所罗门提亲。而所罗门王也因此与她犯了姦淫罪(因为他已有妻室)，而被上帝所遗弃，并展开了以色列王国衰落的序幕。示巴女王被以色列人逐回埃塞俄比亚之时，据说已怀有所罗门王的骨肉。而出奇地埃塞俄比亚当地的语言亦与古希伯来语十分近似。此外，存放於耶路撒冷圣殿的约柜在罗马帝国军队屠城之后神秘失踪，据闻就是当年所罗门王在埃塞俄比亚的遗裔把约柜秘密从耶路撒冷运到埃塞俄比亚收藏。这些片断的正史、野史，都或多或少证实了示巴女王当年和所罗门王的关係非比寻常。亦有人凭着《雅歌》第一章第5节的一句，而认为《雅歌》是所罗门王与示巴女王之间的情话。 　　亚瑟王(King Arthur)是英格兰传说中的国王，圆桌骑士团的首领，一位近乎神话般的传奇人物。他是罗马帝国瓦解之后，率领圆桌骑士团统一了不列颠群岛，被后人尊称为亚瑟王。关於亚瑟王的传奇故事，最初如何诞生，源自何处，皆无从查考。究竟亚瑟王是不是以某位历史人物作为基础塑造出来的虚构角色也不得而知。 　　西元800年左右，威尔斯的修士撰写了一本《布灵顿人的历史》，书中首次记载「亚瑟」这个名字，描述他领导威尔斯人抵抗从泰晤士河中游入侵的萨克森人。 　　在希腊神话中，金羊毛是一只会飞、会说话的名叫克里索姆勒斯的公羊的毛。赫耳墨斯将克里索姆勒斯送给色萨利的涅斐勒，让她用这只公羊来运送她的两个孩子海勒和菲利塞斯，来让逃离伊诺的毒手。克里索姆勒斯背着两个孩子向东飞，后来海勒落入海中，而菲利塞斯则安全地到达了科尔喀斯（相当于今天的格鲁吉亚）。菲利塞斯将克里索姆勒斯牺牲给宙斯，把它的羊毛送给了科尔喀斯的国王埃厄忒斯。 　　阿格诺特英雄们取金羊毛的故事发生在此后：当时在科尔喀斯的国王埃厄忒斯据说是太阳神赫利俄斯的儿子和美狄亚的父亲。伊阿宋和其他阿格诺特英雄们企图盗取金羊毛来保证伊阿宋获得他的遗产。最后在美狄亚的帮助下他们克服重重困难获取了金羊毛。美狄亚与伊阿宋结婚。 　　古代作家如斯特拉博、亚壁等对金羊毛的叙述与上述故事有些差别。金羊毛的故事很可能有一定的历史背景。今天的考古发现证明在前三千前两千年时今天的格鲁吉亚地区的冶金技巧已经达到了很高的水平了。尤其金的加工非常精巧。此外当时当地还有许多牧羊的部落。这些文化成就很可能是金羊毛的故事的背景。

Jotuomba的每个居民长久以来都扮演者自己分内的角色。一如每个早晨，玛德莲做好面包，带去安东尼奥古旧的咖啡店，两人照例吵嘴抬杠。这山城里的时间似乎停滞不动，所有事物的流转，拥有着自己的节奏，在此即是永恒。直到年轻女摄影师丽塔抵达，变化，终于随着她的快门，开始产生涟漪。

声音是我们进行宇宙基础科学研究的最生动的方式之一。声音能让我们笑，让我们哭，也能让我们害怕得蜷成一团，但是它也能帮助我们了解周围的世界，以及它的工作原理和构成方式。许多人认为声音是理所当然的事情，但其实你听到的声音只是纯物理的声音。在这个两集系列节目中，海伦?乔斯基将会展开一次非凡的声音之旅，旨在探索什么是声音，还有它所揭示出的自然基础力量。海伦将会揭开我们认为的那些普通现象背后的复杂物理学知识，并由此及彼地帮我们更好地了解这个世界。

Over twenty-five years after his death in July 1989, the controversial Austrian conductor Herbert von Karajan remains an enigma. He was the most successful conductor in the history of classical music. Many of those recordings - of Italian opera, of Wagner and Richard Strauss, of Sibelius, Beethoven and Brahms - are treasured by music lovers around the world. Yet, even at the peak of his fame, his performances were variously criticised for being too opulent, too manicured, lacking warmth or spiritual depth. 　　This musical profile explores the many paradoxes in the life and music of this controversial figure, who forged his international reputation in London with the Philharmonia Orchestra shortly after the end of the Second World War and went on to reign supreme in the classical music world during his three decades with the Berlin Philharmonic. The film also examines Karajan's belief in the visual power of music, and his determination to leave behind a substantial legacy of music on film. 　　Karajan was famous not only for his music, but also his glittering off-duty moments on the ski slopes, piloting his own jet, sailing his yacht and driving top-of-the-range fast cars. Yet, at the same time, he was a solitary man with few friends, who drew his strength from long walks in the Austrian mountains. 　　In this feature-length profile, the first ever made about Karajan for BBC Television, those who worked closely with Karajan, including singers Placido Domingo and Jessye Norman, violinist Anne-Sophie Mutter, conductors Nikolaus Harnoncourt and Sir Neville Marriner and flautist Sir James Galway, speak of his almost magical power as a conductor and the reality that lay behind the Karajan myth.

Over twenty-five years after his death in July 1989, the controversial Austrian conductor Herbert von Karajan remains an enigma. He was the most successful conductor in the history of classical music. Many of those recordings - of Italian opera, of Wagner and Richard Strauss, of Sibelius, Beethoven and Brahms - are treasured by music lovers around the world. Yet, even at the peak of his fame, his performances were variously criticised for being too opulent, too manicured, lacking warmth or spiritual depth. 　　This musical profile explores the many paradoxes in the life and music of this controversial figure, who forged his international reputation in London with the Philharmonia Orchestra shortly after the end of the Second World War and went on to reign supreme in the classical music world during his three decades with the Berlin Philharmonic. The film also examines Karajan's belief in the visual power of music, and his determination to leave behind a substantial legacy of music on film. 　　Karajan was famous not only for his music, but also his glittering off-duty moments on the ski slopes, piloting his own jet, sailing his yacht and driving top-of-the-range fast cars. Yet, at the same time, he was a solitary man with few friends, who drew his strength from long walks in the Austrian mountains. 　　In this feature-length profile, the first ever made about Karajan for BBC Television, those who worked closely with Karajan, including singers Placido Domingo and Jessye Norman, violinist Anne-Sophie Mutter, conductors Nikolaus Harnoncourt and Sir Neville Marriner and flautist Sir James Galway, speak of his almost magical power as a conductor and the reality that lay behind the Karajan myth.

该剧描述了1976－1984年的邓小平，深孚众望的再次出山，破除个人崇拜，推动“真理标准”大讨论，开展对“两个凡是”、“两个估计”错误思想的批评，解放了广大知识分子，恢复中断多年的高考，派留学生出国学习考察，领导和推动解放思想，指挥拨乱反正、平反冤假错案，推动全面改革开放，支持知青返城，推动农业改革解放生产力，参与美日建交，与英国谈判香港问题一锤定音，南巡视察深圳特区，推动军队改革的政治经历。剧情描述的这八年，是邓小平人生中最辉煌的八年，其个人政治生涯达到了顶峰，而中国也是处于最微妙、最重要的转折点，高层处于复杂情景的几年，包括粉碎“四人帮”集团、 华国锋上台，邓小平在政治博弈中如何胜出，对这些历史，片子都没有回避。该剧从1976年毛泽东逝世后的第27天开始，直到1984年10月1日，邓小平在天安门城楼上检阅建国三十五周年国庆游行队伍，游行队伍中的大学生自发地打出代表亿万人民心声的横幅“小平，您好！”为止。期间历经粉碎“ 四人帮”，结束十年动乱，进行拨乱反正，国家走上改革开放的道路，对中国具有划时代意义。这部戏也是作为邓小平同志诞辰110周年的献礼大片，邓小平生活化的内容，也在剧中多有体现。

1976年9月9日，伟大的开国领袖毛泽东同志与世长辞。他的离去宣告了一个时代的结束，也开启了新时代的序幕。祸害华夏大地十年之久的四人帮一朝被除，而千疮百孔的新中国其明天依旧迷蒙不清。已经三度被打倒的邓小平（马少骅 饰）接受中央的安排，重新出来主持工作。此时党内对邓的争论两极分化，而“两个凡是”又预示着左倾错误的继续。十一届三中全会上，邓小平批驳反思的建国以来党在治国方针和思想上锁犯下的错误，此后大力推行国防教育，积极推进经济建设。 　　将近十年的改革，让羸弱不堪的新中国获得重生的希望，而他便是那个踏出坚实步伐的重要之人……

To this day it is considered the primordial cell of modern architecture and design - the Bauhaus. But "Bauhaus" doesn't just mean the cubic white house with flat roof, the steel pipe chair, or the Bauhaus lamp. The Bauhaus was also an educational center which serves as a model even today. World-renowned artists like Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius, and Mies van der Rohe taught there. The film draws a picture of this singular institution of modernism - from revolutionary beginnings after the end of World War I to disintegration and emigration, covering subsequent careers as well as the involvement of some Bauhaus members in national socialist Germany. These episodes are remembered by former Bauhaus students of both sexes, most of them being featured through archival footage. This comprehensive critical account of the artistic and political aims of Bauhaus in a film portrait gives insight into the essence of Bauhaus principles, the conflicts that lead to relocation from Weimar to Dessau, the disbanding of the school during the Nazi era, the construction work in the young state of Israel, and the development of the Bauhaus myth in the USA.

To this day it is considered the primordial cell of modern architecture and design - the Bauhaus. But "Bauhaus" doesn't just mean the cubic white house with flat roof, the steel pipe chair, or the Bauhaus lamp. The Bauhaus was also an educational center which serves as a model even today. World-renowned artists like Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius, and Mies van der Rohe taught there. The film draws a picture of this singular institution of modernism - from revolutionary beginnings after the end of World War I to disintegration and emigration, covering subsequent careers as well as the involvement of some Bauhaus members in national socialist Germany. These episodes are remembered by former Bauhaus students of both sexes, most of them being featured through archival footage. This comprehensive critical account of the artistic and political aims of Bauhaus in a film portrait gives insight into the essence of Bauhaus principles, the conflicts that lead to relocation from Weimar to Dessau, the disbanding of the school during the Nazi era, the construction work in the young state of Israel, and the development of the Bauhaus myth in the USA.