十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

许毅与江映月结婚三周年纪念日当晚，撞见江映月与助理季博常暧昧，婚姻破裂。许毅心灰意冷选择离婚，离开两人共同创立的“六月集团”，加入海悦集团。江映月多次纠缠试图挽回，但许毅态度坚决。期间，海悦集团千金陈欣茹一直默默支持许毅，两人感情逐渐升温。季博常多次设计陷害许毅，最终真相大白。许毅与江映月正式离婚，放下过往，与陈欣茹开启新生活，而江映月也在痛苦中学会成长与放手。

Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. 　　"Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. 　　Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” 　　Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. 　　The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. 　　Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: 　　“looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ 　　When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. 　　I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. 　　The Sky Kid

灵感来自真实事件，向1948年的黄金时代致敬。“好莱坞发生的事情，留在百老汇”。从蒙蒂·克利夫特到理查德·罗杰斯的传奇人物的私生活，通过24岁的 Sid Lumet 的眼睛讲述。

Inspired by true events, pays homage to the Golden Age, 1948. "What happened in Hollywood, stayed on Broadway". The private lives of legends from Monty Clift to Richard Rodgers, told through the eyes of 24 year old Sid Lumet.

1949年，解放军和平解放新疆，新疆军区成立，甘祖昌担任后勤部副部长。其时，敌特支持投机倒把分子新疆扰乱物价，大肆垄断黄金银圆，妄图从经济上困死解放军，甘祖昌低价将银圆投入流通市场，打击奸商气焰，稳定市场，稳定新疆政局。其后，敌特分子为报复甘祖昌制造车祸，令甘祖昌头部重伤。1955年，甘祖昌被授予少将军衔，和他同村同时入伍而善于经营的李保山则授校衔。李对甘很嫉妒，违纪后被解职回乡。甘祖昌脑震荡后遗症严重，自觉不在适合服务军队，加之回家后看到家乡虽解放但老乡生活仍很贫困，自请辞职，解甲归田，回到老家江西莲花县沿背村。回乡之后，他不辞辛劳，继续为家乡经济建设做贡献。他排除各种干扰，修整水旱田，修建水库，建设桥梁，创建公社农科所等。不但实现了穷乡僻壤的脱贫，更使农民生活大有改善。甘祖昌不恋高位而选择奉献，不图享受而甘于奋斗的精神成为领导干部的楷模，时代的先锋。“将军农民”甘祖昌解放后始终不忘让乡亲们都过上好日子的庄严约定，毅然请辞职务，带着妻子龚全珍和孩子回乡，带领乡亲们艰苦奋斗，改变家乡落后面貌 。

由新加坡導演黃程瀚執導，紀錄米其林二星餐廳老闆江振誠的事業軌跡。講述台灣名廚André Chiang江振誠面對食物、生活皆追求完美的態度，也揭開他捨棄名利、結束新加坡米其林二星餐廳的原委。

讲述了开国少将甘祖昌从一九二七年加入中国共产党后，始终牢记党的使命、不忘初心的感人事迹。

影片由中央党校大有影视中心、人民日报《国家人文历史》杂志社和中国电影家协会联合出品，将从全国遴选出100位优秀的共产党员代表，讲述他们在平凡岗位上默默奉献、无私忘我践行初心和使命的感人事迹。《初心》将尝试采用全新的拍摄手法，使影片更适合当下年轻观众的观影习惯，更适合高速信息时代的有效快速传播。影片将集结众多文艺界名人参与拍摄，以互动、讲述、演绎、体验等形式，进行影视化创作，用充满正能量的社会话题引导线上线下的互动，开辟纪录电影拍摄的新模式、新方法。