「噓——！」 小朋友在捉迷藏中跑進森林，到處尋找躲藏的地方。 哪裡是他的歸處呢？

刑警张国辉刚与太太分开，心情低落，更影响工作效率。一天下班，他惊见大作家嘉莹及一小女孩芬在其家，原来辉的太太已把两个单位的其中之一卖给了莹，两人遂由水火不容演变成日久生情。岂料，莹有女儿的秘密却被传媒揭露出来，莹误会是辉向传媒爆料，一怒之下便与小芬搬走了。此时，辉发觉一械劫案主犯Ray原来潜藏在莹的身边……

刑警张国辉刚与太太分开，心情低落，更影响工作效率。一天下班，他惊见大作家嘉莹及一小女孩芬在其家，原来辉的太太已把两个单位的其中之一卖给了莹，两人遂由水火不容演变成日久生情。岂料，莹有女儿的秘密却被传媒揭露出来，莹误会是辉向传媒爆料，一怒之下便与小芬搬走了。此时，辉发觉一械劫案主犯Ray原来潜藏在莹的身边……

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.

中港兩代父女，分隔兩地生活，說着兩種語言，身份和人生完全對倒，本來最親密的家人卻也是最陌生的。獨居老人陳永強是觀塘公園的保安員，某天他要陪伴從內地來港的女兒子姍換領新身份證及辦理銀行開戶，二人回到老家又到永強工作的觀塘公園蹓躂，面對鴻溝欲言又止，只能如守望者般巡察觀覷，踟躕不前。夫子自道的導演以靜謐凝視的鏡頭瞻眺鱗次櫛比的香港城市建築，配以收窄又拉闊的畫框沉澱了父女間的滄海桑田。金像影帝太保再度以沉穩肅穆的演出訴盡暮年的孤寂。

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.

这是一档以观点互动为主题的大型明星真人秀综艺节目。引进的是曾出品《The Voice》的Talpa公司的另一档在荷兰一经推出就造成轰动，并已在德国，俄罗斯，乌克兰开始制作的成功节目模式，节目的核心内容是关于亘古不变的男人与女人的话题。正所谓“男人来自火星，女人来自金星”，男女间相处之所以有很多矛盾，也许就来自于双方对异性真实想法和真实感受的误判。因此《男左女右》节目围绕男人与女人各自不同的视角与观点展开，通过男队、女队两组明星嘉宾之间的一系列PK竞赛和互动环节呈现和表达有关男女差异的颠覆性的信息点。节目既富含知识量，又极具综艺形式感，带领观众在每期由众多大牌明星组成的男女两队快乐而有趣的对抗中，完成一场饶有趣味的性别换位思考之旅，扫除男人与女人之间的理解误区。