THE TIES THAT BIND is an experimental documentary about the filmmaker's mother, who was born and lived in southern Germany from 1920-1950. Through a mixture of personal anecdote and social history, she describes the rise of Nazism, the war years, and the Allied occupation, during which she met her future husband, an American soldier. The only voice we hear is that of this one "ordinary woman", while the images portray her current life in Chicago, her hometown before and during the war, New York Post headlines, contemporary peace marches, present day footage of Germany and much more. However, THE TIES THAT BIND breaks with the usual format of war documentaries, thus allowing a different portrait of the individual to emerge, while it reflects on the current political situation in America and the filmmaker's activities in relation to those issues. The film creates a powerful dialogue between past and present, between mother and daughter. But it is more than an interview of a mother by a daughter; it is a profound search for a definition of history, and a challenge to our own responsibility for the present.

THE TIES THAT BIND is an experimental documentary about the filmmaker's mother, who was born and lived in southern Germany from 1920-1950. Through a mixture of personal anecdote and social history, she describes the rise of Nazism, the war years, and the Allied occupation, during which she met her future husband, an American soldier. The only voice we hear is that of this one "ordinary woman", while the images portray her current life in Chicago, her hometown before and during the war, New York Post headlines, contemporary peace marches, present day footage of Germany and much more. However, THE TIES THAT BIND breaks with the usual format of war documentaries, thus allowing a different portrait of the individual to emerge, while it reflects on the current political situation in America and the filmmaker's activities in relation to those issues. The film creates a powerful dialogue between past and present, between mother and daughter. But it is more than an interview of a mother by a daughter; it is a profound search for a definition of history, and a challenge to our own responsibility for the present.

在即将坠入深渊的危急关头，辛灵被“神秘人”救出，意外来到了荒石被封印的地方。而荒石却在战斗中身受重伤，元神消散。为了救回荒石，叶罗丽战士们也行动起来，前往奇幻的仙境，开启全新的冒险之旅。在拯救荒石的过程中，辛灵带领孩子一起怀揣勇气与希望，再度探寻爱与成长的真谛。

由于时间公主时希的时间魔法和御王黎灰的空间魔法碰撞，带得叶罗丽仙境的仙子们一起进入了小朋友的内心世界。在这个充满童趣的玩具世界里，他们必须完成小朋友的游戏和谜题闯关成功才能回到原本的世界。另一边，时希通过四时钟看见了宇宙的奥秘，奇幻的星系、地球之外的天文世界瑰丽的展现…

在即将坠入深洲的危急关头，辛灵被“神秘人”救出，意外来到了荒石被封印的地方。而荒石却在战斗中身受重伤，元神消散。为了救回荒石，叶罗丽战士们也行动起来，前往奇幻的仙境，开启全新的冒险之旅。在拯救荒石的过程中，辛灵带领孩子一起怀揣勇气与希望，再度探寻爱与成长的真谛。

在现实世界的边缘，有一个与人类世界平行的神秘领域--叶罗丽仙境。这里居住着各种许多拥有魔法力量的叶罗丽仙子，他们原本与自然和谐共生。然而，随着人类对自然环境的破坏，仙境的平衡开始受到威胁。叶罗丽仙境的女王曼多拉对人类的破坏行为感到愤怒，决定通过控制梦境的力量来入侵并改变人类世界……

在现实世界的边缘，有一个与人类世界平行的神秘领域——叶罗丽仙境。这里居住着各种许多拥有魔法力量的叶罗丽仙子，他们原本与自然和谐共生。然而，随着人类对自然环境的破坏，仙境的平衡开始受到威胁。叶罗丽仙境的女王曼多拉对人类的破坏行为感到愤怒，决定通过控制梦境的力量来入侵并改变人类世界……

水王子和王默的初次相遇是在静水湖畔。一个因为人类污染水域而面临死亡的精灵和一个善良的人类女孩。水下的王子坐拥水玲珑宫，而人类的女孩与他相隔万里。长大后的两人会发生怎样的故事？

这部番外篇围绕的主角是水王子和王默，一人一仙子之间有什么样的缘分，水王子对王默的偏爱，两人神秘的身世等谜题是否会在番外篇揭晓？只能期待更多内容揭晓。

哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。 　　"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men. 　　Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter. 　　Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.