两仔爷一齐睇波，对赛的不是曼联车路士，更不是巴西阿根廷。罗马尼亚大独裁者寿西斯古年代担任球证的父亲，一面重看当年陆军对公安的球赛录影带，一面效那白头宫女话当年。你看这人盘扭出众，左插花右插花，会料到他杀了多少人吗？政治压迫作为一种集体回忆，一路走来的革命路途是否走对了，以至人心与人生的嗟叹、讨论，彷彿浑然天成的画外音。罗马尼亚新世代电影闯将波兰布尔继《字典与警鎗》（34 届）及《布加勒斯特夜末央》（见36 页）后又一实验性杰作。

两仔爷一齐睇波，对赛的不是曼联车路士，更不是巴西阿根廷。罗马尼亚大独裁者寿西斯古年代担任球证的父亲，一面重看当年陆军对公安的球赛录影带，一面效那白头宫女话当年。你看这人盘扭出众，左插花右插花，会料到他杀了多少人吗？政治压迫作为一种集体回忆，一路走来的革命路途是否走对了，以至人心与人生的嗟叹、讨论，彷彿浑然天成的画外音。罗马尼亚新世代电影闯将波兰布尔继《字典与警鎗》（34 届）及《布加勒斯特夜末央》（见36 页）后又一实验性杰作。

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

故事就发生在名为哈吉布基的森林里。有一群小老鼠生活在这片森林中，在这里，像他们这样的小动物需要时刻提防体形更大的动物，比如森林里的狐狸，不然就会有被吃掉的危险。其中的一只小老鼠在家人遭遇危险之后终于决定做些什么：他要让森林里所有的动物都能接受一部法案，这样大家就能相亲相爱地生活在一起。

故事就发生在名为哈吉布基的森林里。有一群小老鼠生活在这片森林中，在这里，像他们这样的小动物需要时刻提防体形更大的动物，比如森林里的狐狸，不然就会有被吃掉的危险。其中的一只小老鼠在家人遭遇危险之后终于决定做些什么：他要让森林里所有的动物都能接受一部法案，这样大家就能相亲相爱地生活在一起。

故事就发生在名为哈吉布基的森林里。有一群小老鼠生活在这片森林中，在这里，像他们这样的小动物需要时刻提防体形更大的动物，比如森林里的狐狸，不然就…

NO MAPS FOR THESE TERRITORIES是一部紀錄了知名的科幻小說家William Gibson[九是那位知名的赛博朋克代表人物]的旅行紀錄片。由導演Mark Neale以接近禁錮的方式把他載入一輛備有高科技小型攝影機、傳真機及數位衛星收發系統的三節禮車，由西到東；南到北橫越美洲大陸沿途記錄了Gibson旅程中的點點滴滴，配上U2主唱Bono及The Edge的音樂元素，面對車窗外陌生、行進中的影像轉移，反映了西方文化在跨越新世紀前不論是政治、經濟，甚至毒品氾濫等的社會現象。利用反記實的佈局，使Gibson無意中洩漏了其靈魂深處的內涵。

以真心话和美食作为基石，用饭局小游戏来贯穿始终，试图打破日常饭局里的尴尬冷场，深度挖掘每个人的真实内心和表演天份，打造一场高情商高智商的饭局综艺。无论是突如其来的明星真心话、饭桌上的小游戏，还是令人惊艳的各路美食，背后都充满脑力的厮杀，游戏的酣畅淋漓，更还原了一个个温暖的故事。

以真心话和美食作为基石，用饭局小游戏来贯穿始终，试图打破日常饭局里的尴尬冷场，深度挖掘每个人的真实内心和表演天份，打造一场高情商高智商的饭局综艺。无论是突如其来的明星真心话、饭桌上的小游戏，还是令人惊艳的各路美食，背后都充满脑力的厮杀，游戏的酣畅淋漓，更还原了一个个温暖的故事。