A woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.

The series tells the story of the family lives of the police officers working in a special team of the Istanbul Police Department's Public Security Department and their adventures on the streets of Istanbul. The team encounters different and diverse human stories during their missions. The Istanbul Police Chief Rıza Soylu (Zafer Ergin), with his years of experience and fatherhood, approaches these stories, which at times make them smile and at other times are heartbreaking, and guides the other young members of the team.

顾雄与章捷民的两家酒帘经常为了利益冲突而拼个你死我活。曾经与顾雄共过患难的周志强与章捷民的妹妹珍妮相恋，令章捷民为之气结。 　　为了珍妮，章捷民与顾雄两帮人马发生大激斗。拉扯之中，章捷民刺死了顾雄，怒火中烧的周志强也误杀了章捷民，事情越闹越大……

Back Street is a 1961 film made by Universal Pictures, directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the novel by Fannie Hurst. The music score is by Frank Skinner. The film stars Susan Hayward, John Gavin and Vera Miles. 　　The story follows two lovers who have limited opportunities to get together because one of them is married. 　　It was nominated for Academy Award for Best Costume Design, Color (Jean Louis). Unlike the previous film versions, this one gives Susan Hayward plenty of opportunity to appear in Jean Louis's spectacular gowns. This was a trademark of Ross Hunter's remakes of older "weepies"; he emploied the same method in Lana Turner's versions of Imitation of Life and Madame X. 　　Of all three screen versions of Back Street, this 1961 production took the most dramatic license with the novel. It is different from both the 1932 and 1941 screen versions in many ways - changing the names of several characters and updating the story to what was then the present day. Good examples of how the plotline was sensationalized in this third version are the attempted suicide and the fatal car crash.

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

刚和男友分⼿的小雾，因一笔意外的稿费而在北京胡同里租了一套房⼦，期待⾃己⼀个人的世界。不料母亲因无法与家中的⽼人相处，搬来与她同住。奇特的战争开始了。 每天⼀睁眼，在屋子的每⼀个角落，母亲荒谬的生活规则与偏执的行为方式折磨着小雾。小雾也被母亲的思维逻辑潜移默化的影响着。两个极度缺乏安全感的女人，在饭桌， 尿盆，碗筷中互相攻击，防御。在战争高潮，她们已无法面对彼此。母女各自开始了一场恋爱，获得了暂时的平衡， 但最终都失败了。

刚和男友分⼿的小雾，因一笔意外的稿费而在北京胡同里租了一套房⼦，期待⾃己⼀个人的世界。不料母亲因无法与家中的⽼人相处，搬来与她同住。奇特的战争开始了。 每天⼀睁眼，在屋子的每⼀个角落，母亲荒谬的生活规则与偏执的行为方式折磨着小雾。小雾也被母亲的思维逻辑潜移默化的影响着。两个极度缺乏安全感的女人，在饭桌， 尿盆，碗筷中互相攻击，防御。在战争高潮，她们已无法面对彼此。母女各自开始了一场恋爱，获得了暂时的平衡， 但最终都失败了。

當年佳視拍的劇集多數是古裝片，所以名流情史是佳視少數的時裝劇集。製作隊當年還遠赴夏威夷拍攝。本劇原定製作100集，但拍罷36集後，佳視就因為資金問題而倒閉。

當年佳視拍的劇集多數是古裝片，所以名流情史是佳視少數的時裝劇集。製作隊當年還遠赴夏威夷拍攝。本劇原定製作100集，但拍罷36集後，佳視就因為資金問題而倒閉。