暂无剧情简介

"The brooding, existentialist portraits of his classmates in We Are 17 clashed so much with Holland's postwar optimism that a counter-album, We Are Also 17, soon appeared. His early experimental films, like Paris a l'aube (Paris at dawn) (1957-60), a ten-minute sequence of long, static views of the city shot every morning at 4 A.M., were dismissed as "photographic," while those of the '70s, notably North-South Triptych (1972-74), were marginalized because of their radical politics (not to mention their experimental form). Increasingly complex works in recent years continue to defy received notions of film versus photography, documentary versus fiction, and public versus private art: Amsterdam Global Village (1996), for example, is a look at the postcolonial metropolis as a post-McLuhan mosaic. It begins with a colorful St. Nicholas festival on Amsterdam's canals, and circles village and globe for more than four hours before culminating in a polysexual fantasy filmed behind an august facade overlooking the same canals."

"The brooding, existentialist portraits of his classmates in We Are 17 clashed so much with Holland's postwar optimism that a counter-album, We Are Also 17, soon appeared. His early experimental films, like Paris a l'aube (Paris at dawn) (1957-60), a ten-minute sequence of long, static views of the city shot every morning at 4 A.M., were dismissed as "photographic," while those of the '70s, notably North-South Triptych (1972-74), were marginalized because of their radical politics (not to mention their experimental form). Increasingly complex works in recent years continue to defy received notions of film versus photography, documentary versus fiction, and public versus private art: Amsterdam Global Village (1996), for example, is a look at the postcolonial metropolis as a post-McLuhan mosaic. It begins with a colorful St. Nicholas festival on Amsterdam's canals, and circles village and globe for more than four hours before culminating in a polysexual fantasy filmed behind an august facade overlooking the same canals."

渴望票房卖座的电影制作人仁成为了缓解工作压力每周末都会离开首尔，前往江陵散心。同时，在江陵做护士的柳静因为倾心于首尔的文化生活每个周末都会去首尔小住。饱受住宿问题困扰的二人某天在江陵的一家小咖啡馆偶遇，经咖啡馆主人的撮合，二人决定在周末交换住处...

渴望票房卖座的电影制作人仁成为了缓解工作压力每周末都会离开首尔，前往江陵散心。同时，在江陵做护士的柳静因为倾心于首尔的文化生活每个周末都会去首尔小住。饱受住宿问题困扰的二人某天在江陵的一家小咖啡馆偶遇，经咖啡馆主人的撮合，二人决定在周末交换住处...

一个女孩，打着学习的借口来到一个朋友家里。不知为何她的心情非常忐忑，她在朋友家看到的东西在她的脑子里有了别的意义和形象，这次拜访也在往她没有意料到的方向发展。

一个女孩，打着学习的借口来到一个朋友家里。不知为何她的心情非常忐忑，她在朋友家看到的东西在她的脑子里有了别的意义和形象，这次拜访也在往她没有意料到的方向发展。