This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

A film by Aria Covamonas.

A film by Aria Covamonas.

三集纪录片《解码中国: 独特的现代化之路》围绕中国式现代化的中国特色，深入阐释这一系统工程如何通过推动产业结构、能源结构、交通运输结构的调整优化升级，加快形成绿色低碳的生产方式和生活方式，以高质生态环境支撑高质发展，并为世界提供全新的机遇与现代化愿景。纪录片以“全新范式”“良好生活”“未来之钥”三个主题，铺陈中国式现代化如何做到统筹兼顾、系统谋划、整体推进，从品质、创新、活力、畅通、美丽、共富等多个维度，展现中国式现代化的壮阔前景。 　　第一集：范式如何重塑？（Paradigm Reinvented?） 　　第二集：何为良好生活？（A Question of Quality?） 　　第三集：怎样迎接未来？（A Toolkit for the Future?）

拍摄学生作业的小李和小郑带着炸药上了地铁，目的地：地坛。荒诞的一切正在形成对比：万事落空又好像没有落空，宛如地上泄气的塑料烂气球。