讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

该节目将公开演艺圈有名的6位美食家明星展开新菜品竞争，最后获得胜利的菜品将实际在全国便利店上市的新概念综艺节目。并且该菜品上市后获得的收益金将捐赠给缺食儿童，具有意义的概念引起社会关注。

艺术家遇到安娜，以为是曾经的模特，后发现是安娜的生命来自自己的作品，艺术家想收回模特生死的权利，最终连同自己的生死一同败给了神灵。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

在第一次性體驗中，因自己的三層肚皮而被男友拋棄的靜香(16)，在boys纖體美容院纖體成功！並跟在那裡工作，擁有上帝之手的美少年·響(16)交往。可是當她知道了自己傾慕的七里先生跟女友發展不順利，令她愛意倍增？她於是跟響分手，並向七里先生展開攻勢？另一方面，雙性戀的吉馬希望令響忘記失戀的痛楚，於是宣言要令接受了割包皮手術的響「進化」。莫非響會再一次脫胎換骨？

本片是根据音乐人甲斐バンド（甲斐祥弘）历年的经典歌曲衍生而来的短片集。 　　《老爹的战争》导演：三岛有纪子，源自歌曲《らせん階段》 　　被妻子抛弃而被迫离婚的中年男子片冈正道（マキタスポーツ 饰），无论如何希望和前期重修旧好。为此他登上业余爱好者的拳击擂台，出席了决定命运的重要比赛…… 　　《父与子》导演：榊英雄，源自歌曲《安奈》 　　在妻子去世后，父亲（船越英一郎 饰）含辛茹苦将女儿拉扯大。女儿安奈顺利进入大学，毕业后前往大都会就职。安奈似乎有了心仪之人，而父亲某天却意外得知即将成为女婿的那个男人（大森南朋 饰）令人倍感意外的事实…… 　　《在这柔软的世界中》导演：长泽雅彦，源自歌曲《そばかすの天使》 　　故事的主人公在童年时无法接受母亲的爱情，等她成为母亲后对女儿的爱情也毫不认同。斗室之内，母与女的爱憎之战拉开帷幕……

吴昊昊采访自己电影学院各个系的同学，对自己的电影学院进行批判。 　　Haohao Wu interviewed some of the classmates in the film academy and criticized the film academy.