2019年6月，中国北京，美院学生小霁和蹦蹦寻到一栋位于城市中心地区的废旧待拆楼， 　　二人预计在废弃的楼道内创作一幅巨大的抽象绘画。 　　岂料创作的过程并非一帆风顺，楼内的钉子户大妈因担心二人创作会对自己的拆迁分房 　　造成影响，横加阻拦，眼看画画无望，蹦蹦却想到了打通大妈的奇招，而大妈的内心世界，也在二人的刺激下，缓缓展开…

2019年6月，中国北京，美院学生小霁和蹦蹦寻到一栋位于城市中心地区的废旧待拆楼， 　　二人预计在废弃的楼道内创作一幅巨大的抽象绘画。 　　岂料创作的过程并非一帆风顺，楼内的钉子户大妈因担心二人创作会对自己的拆迁分房 　　造成影响，横加阻拦，眼看画画无望，蹦蹦却想到了打通大妈的奇招，而大妈的内心世界，也在二人的刺激下，缓缓展开…

一个罹患癫痫症的年轻人计划一步步清理他病态失衡的家庭。

一个罹患癫痫症的年轻人计划一步步清理他病态失衡的家庭。

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

在经历了一场创伤性的失去之后，爱丽丝（Alice）离开城市，开始写作。某天，被一只蜜蜂持续的嗡鸣声吸引，她循声走入一片森林。被树木的呼吸与万物的脉动所环绕，内心的不安逐渐平息。在枝叶与寂静之间，她发现了一棵仿佛一直在等待她的树。 　　此后，她日复一日地回到那里，记录自己所见与所感——如泪般滴落的树脂，树皮与肌肤的相似，树与人的对应。在与树木渐进而近乎痴迷的对话中，爱丽丝发现了人类与自然之间那份静谧的对称——或许，也找到了一种让悲伤得以释放的方式。 　　After a traumatic loss, Alice retreats from the city and begins to write. One day, distracted by the persistent hum of a bee, she follows its sound into a nearby forest. Surrounded by the breath of the trees and the pulse of life around her, Alice’s restlessness begins to soften. There, among branches and silence, she discovers a tree that seems to have been waiting for her. 　　Drawn back day after day, she writes about what she sees and feels — the resin that drips like tears, the parallels between bark and skin, trees and humans. Through a gradual but obsessive dialogue with the trees, Alice discovers the quiet symmetry between humanity and nature — and, perhaps, a way of setting grief free.

Held up for 7 years before it was released, Far from the Trees seems like a perfect successor to Luis Bunuel's Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism - though obviously not enough for the censors. 　　It is commonplace for students of Spanish and Latin American culture to speak of the "Black Legend", through which northern Europeans demonize the Spanish. In this documentary, Catalan filmmaker Jacinto Esteva Grewe does the job himself. Here, he attempts to show the dark side of Spanish life, especially its religious fanaticism and promotion of the idea that ritualistic cruelty is somehow noble. This film had major portions removed by Spanish censors before it was allowed to be shown, but the cuts are not thought to have improved (or detracted from) this mean-spirited diatribe.

老吴和孙子小树在山村里经营着一家“特殊”的盲人影院，喜爱舞蹈的小树却一心想到城里去，直到意外地弄坏了放映机…面对老吴的离世与即将到来的拆迁…春天，小树正经历着他‘生长期’的最大变革…

中央电视台纪录频道投拍的纪录片《园林—长城之内是花园》共8集，每集约 50分钟，从先秦、汉、唐、宋、明的 园林讲起，直至现代。通过讲故事的 方式，具象表达园林里的慢生活。