肖邦的《G小调第一叙事曲》总长仅九分钟，诞生至今已有近二百年，却依然有着特殊的魅力，不但在视频网站上创下数百万的点击率，更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香，在各自经历了人生的不幸之后，因肖邦的叙事曲而重新振作，勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场，详细剖析这首不同寻常的钢琴曲，为我们揭开音符中的奥妙。 　　This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways. 　　Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface. 　　For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory. 　　Paul told us some more about his involvement in the programme: 　　"I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!" 　　The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c 　　The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.

《拯救人类》先导概念片是由兰波导演执导的一部废土公路风格的科幻喜剧，讲述了在末日之后人类文明退化到原始状态，一个机器人被一个中二原始人类激活，从而要带领人类重返文明之地。蛮荒懵懂的原始人与未来科技打造的冷峻机器人之间存在了极大的风格反差，也碰撞出了很多笑料。

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

七个大学生：爱伯尔（Ryanne Duzich 饰）、布赖恩特（Teddy Dunn 饰）、弗莱迪（Daniel Franzese 饰）、麦克（Patrick Flueger 饰）、妮可（Steffi Wickens 饰）、卡洛斯（Theo Rossi 饰）和爱莉克丝（Taryn Manning 饰）结伴出游，共同纪念他们即将结束的大学生活。 　　众人来到一个偏僻的乡间别墅，性感的女主人珍妮弗（Agnes Bruckner 饰）接待了这群荷尔蒙旺盛的年轻人。当晚，他们谈天说地，饮酒作乐。但在夜深人静之时，妮可却被人残忍杀死，小腹上用刀刻下了“TV”的字样。从身边的录像上发现，他们已成为某个杀手的猎物，走出这座房子的办法只有一个，那就是杀死身边的同伴……

皮埃尔·尼内([弗兰兹])和阿娜伊丝·德穆斯捷([新女友])新片[舍己救人](Sauver ou périr，暂译)将于本月16日开拍。该片将由弗雷德里克·特利尔([杀手一号])执导，剧本由导演和大卫·奥霍芬共同撰写。电影聚焦巴黎一位消防员，当他自己经历了一场严重的火灾后，他必须同妻子一起重建生活。

皮埃尔·尼内([弗兰兹])和阿娜伊丝·德穆斯捷([新女友])新片[舍己救人](Sauver ou périr，暂译)将于本月16日开拍。该片将由弗雷德里克·特利尔([杀手一号])执导，剧本由导演和大卫·奥霍芬共同撰写。电影聚焦巴黎一位消防员，当他自己经历了一场严重的火灾后，他必须同妻子一起重建生活。

跨越神与人的分界， 奔向出云的少女开始了旅途。 在日本各地被称作『神无月』的10月， 在出云地区被称作『神在月』的原因是—— 全国范围内的八百万神会在这一天销声匿迹， 为了来年的结缘会议而聚集到出云。 主人公是一名出生于现代的12岁少女。 因为母亲去世，她讨厌着自己曾经喜欢的跑步。 这是少女被神在月里转动起来的众神齿轮所带动， 从而向出云奔跑的故事。 邀请少女前往神域的，是一只兔子，还有一名少年。 赋角色以声音的配音阵容，秉承“演员配人类，配音员配神明”“求缘”的理念， 将主人公神奈的饰演者定为莳田彩珠，神使兔子的饰演者定为坂本真绫，恶鬼少年的饰演者定为入野自由。 而支持他们的主要演员、配音阵容也秉承同样的理念， 没有进行任何试音，组建了一套奇迹般的配音班底。 赋作品以声音的音乐阵容，则基于“能够代表十几岁的少年少女发声”“随缘”的观点， 在法国偶遇了miwa与索尼音乐，从而实现了戏剧性的安排。 负责绘画的制片班底，则聚集了国内外送来大量名作与杰作的创作者和制片人。 岛根写作“这个岛国的根”，这部描绘岛根出云“神在月”的， 新颖而又令人眷恋的公路片，正是这样自“缘”中诞生。

This is a fascinating documentary on the making of Klassenverhältnisse (Class Relations). Farocki is both an actor and a director of this documentary. The film focuses on the rehearsal of two scenes (the "missing photo in the bag" scene and the "I'm completely drunk and I'm going to ruin your life" scene) and the shooting of the first rehearsed scene. 　　Like Pedro Costa's beautiful film on Straub & Huillet, Farocki's take focuses on the meticulous, obsessive work of the authors while at the same time incorporating a cinematic pace akin to their films'. 　　Here we see not the final step (editing) but the very early phases of the construction of the film. While working with the actors, while making them repeat the same scene over and over, Straub & Huillet are actually beginning to envision the mise-en-scène. We thus have the rare opportunity to see two master film-makers as they start to make actual progress in the artistic concretization of the work. 　　It may help if you have seen Klassenverhältnisse before, but it's really not necessary in order to follow this fascinating film.

Harry Burck has been kidnapped by South American terrorists, and when the US Government refuses to intervene, Harry's friends decide to take matters into their own hands!

Alice and Tommaso have been together for many years. When they invite their friends to dinner, everyone thinks they'll announce they're getting married. Instead, they are breaking up. 　　Venetian Nights 2021