印度昌迪加尔是从平地兴建起来的新城市。 　　1951年法国建筑师勒·柯布西耶受聘负责新城市的规划工作。昌迪加尔是一座规划城市，市内街道成方格状。昌迪加尔的总体规划贯穿了勒·柯布西耶关于城市是一个有机体的规划思想，并以“人体”为象征进行城市布局结构的规划。

印度昌迪加尔是从平地兴建起来的新城市。 　　1951年法国建筑师勒·柯布西耶受聘负责新城市的规划工作。昌迪加尔是一座规划城市，市内街道成方格状。昌迪加尔的总体规划贯穿了勒·柯布西耶关于城市是一个有机体的规划思想，并以“人体”为象征进行城市布局结构的规划。

In 1960 Jane Jacobs’s book The Death and Life of Great American Cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. Jacobs was also an activist, who was involved in many fights in mid-century New York, to stop “master builder” Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda. Many of the clues for formulating solutions to the dizzying array of urban issues can be found in Jacobs’s prescient text, and a close second look at her thinking and writing about cities is very much in order. This film sets out to examine the city of today though the lens of one of its greatest champions.

In 1960 Jane Jacobs’s book The Death and Life of Great American Cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. Jacobs was also an activist, who was involved in many fights in mid-century New York, to stop “master builder” Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda. Many of the clues for formulating solutions to the dizzying array of urban issues can be found in Jacobs’s prescient text, and a close second look at her thinking and writing about cities is very much in order. This film sets out to examine the city of today though the lens of one of its greatest champions.

In the near future, China Tracy will build a city dubbed RMB City within Second Life. This will be the condensed incarnation of contemporary Chinese cities with most of their characteristics; a series of new Chinese fantasy realms that are highly self-contradictory, inter-permeative, laden with irony and suspicion, and extremely entertaining and pan-political. 　　China's current obsession with land development in all its intensity will be extended to Second Life. A rough hybrid of communism, socialism and capitalism, RMB City will be realized in a globalized digital sphere combining overabundant symbols of Chinese reality with cursory imaginings of the country's future. In RMB City, we will be able to cruise the digital ocean, witnessing a Ferris wheel rotating on top of the Monument to the People's Heroes; looking down from the sky on the water of the Three Gorges reservoir gushing out of the Tian'anmen rostrum; passing the giant new totem symbolizing the Oriental Pearl TV Tower of Shanghai; hopping over the Feilai Temple marooned in a raging torrent; walking across a vast, desolate state-owned factory area in Northeast China; and finally hovering over the Grand National Theatre in Beijing. Also in our view will be gigantic planes gliding over terraces in the crevices of the central business district, and aerial super-malls. We will see water flowing into huge toilets on the container piers of the Pearl River Delta area before traveling through the sewage system into an ocean with floating statues of Mao Zedong. The rusted steel structure of the Olympic Stadium aka "Bird's Nest" will be washed in splashes of ocean spray, while an aerial band on a floating sheet of the national flag filled with five-pointed stars makes a deafening noise that shakes Rem Koolhaas' CCTV building, causing it to collapse....

In the near future, China Tracy will build a city dubbed RMB City within Second Life. This will be the condensed incarnation of contemporary Chinese cities with most of their characteristics; a series of new Chinese fantasy realms that are highly self-contradictory, inter-permeative, laden with irony and suspicion, and extremely entertaining and pan-political. 　　China's current obsession with land development in all its intensity will be extended to Second Life. A rough hybrid of communism, socialism and capitalism, RMB City will be realized in a globalized digital sphere combining overabundant symbols of Chinese reality with cursory imaginings of the country's future. In RMB City, we will be able to cruise the digital ocean, witnessing a Ferris wheel rotating on top of the Monument to the People's Heroes; looking down from the sky on the water of the Three Gorges reservoir gushing out of the Tian'anmen rostrum; passing the giant new totem symbolizing the Oriental Pearl TV Tower of Shanghai; hopping over the Feilai Temple marooned in a raging torrent; walking across a vast, desolate state-owned factory area in Northeast China; and finally hovering over the Grand National Theatre in Beijing. Also in our view will be gigantic planes gliding over terraces in the crevices of the central business district, and aerial super-malls. We will see water flowing into huge toilets on the container piers of the Pearl River Delta area before traveling through the sewage system into an ocean with floating statues of Mao Zedong. The rusted steel structure of the Olympic Stadium aka "Bird's Nest" will be washed in splashes of ocean spray, while an aerial band on a floating sheet of the national flag filled with five-pointed stars makes a deafening noise that shakes Rem Koolhaas' CCTV building, causing it to collapse....

“我必忠实执行合众国总统职务，竭尽全力，恪守 维护和捍卫合众国宪法。”这是每一位美国总统在就职前都要进行的宣誓。当你听到这些庄严的誓言，你有没有想过，是什么让他们能够踏入白宫，坐拥美国的政治、军事力量呢？虽说任何一个人都能成为美国总统，但总统可不是谁都能当的。本片将会为你展现总统选举这场秘密游戏的内幕，历数美国各届总统的选举历程。这个故事关于领导者应有的品质，他们既要有男子气概还要感情丰富，既要有突出个性还要平淡无奇。除了叱咤政坛那光鲜亮丽的一面，总统在家里又是怎样的形象呢？在这里，你会找到答案

一段关于“北京蘑菇”诞生秘密的严肃猜想。

一段关于“北京蘑菇”诞生秘密的严肃猜想。

Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and suddenly descends into pure, soundless whiteness. Only by way of its defects is the medium of film made tangible. The flaws in the system – blisters, scratches, distortions and cracks – overwhelm and overlay the narrative, shatter the illusion and give rise to a richly ambiguous, new story. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14625