Marvelous erotic visions that question image and voyeur, celluloid bodies and sexual ones, porn and Bunuel.

Marvelous erotic visions that question image and voyeur, celluloid bodies and sexual ones, porn and Bunuel.

远古时期，山青水绿，万物生长。某条河流的尽头，一座大山静静注视着三叶虫等远古生物的繁衍。时间如此漫长，它不知不觉睡去，错过了恐龙的灭亡和冰河时代的到来。地壳变化令它庞大的身躯断裂，滚动过程中更慢慢形成了一个小山丘。直到某天，睡石的万古长梦被惊醒，人类砍掉了它头顶上不多的石头，它没办法只得躲到一旁继续沉睡，可是不久又被人拉到了磨坊里。战争到来，睡石被军人加工成炮弹，好不容易凭借身上的三叶虫化石住进了博物馆，结果又遭到熊孩子的毒手。 　　历次的暂难让它的身躯越来越小，它如尘如土，无尽的旅程仍未结束……

远古时期，山青水绿，万物生长。某条河流的尽头，一座大山静静注视着三叶虫等远古生物的繁衍。时间如此漫长，它不知不觉睡去，错过了恐龙的灭亡和冰河时代的到来。地壳变化令它庞大的身躯断裂，滚动过程中更慢慢形成了一个小山丘。直到某天，睡石的万古长梦被惊醒，人类砍掉了它头顶上不多的石头，它没办法只得躲到一旁继续沉睡，可是不久又被人拉到了磨坊里。战争到来，睡石被军人加工成炮弹，好不容易凭借身上的三叶虫化石住进了博物馆，结果又遭到熊孩子的毒手。 　　历次的暂难让它的身躯越来越小，它如尘如土，无尽的旅程仍未结束……

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

当Jen和Carmen互相凝视，他们的身体和心理开始变化。他们可以将他们的关系向外人公布，可是其中一个人却还没准备好。@樱夏枫雪

A photo album bound in red leather. It contains black-and-white aerial photographs, taken at a time when colonial powers ruled and dict ated the way things should be interpreted. How can the signs of that time be read today? An exploration of imperial image production and destruction. 　　The 'Z' Unit’s operation in a world far from our own was an experiment of sorts, a test. And this place, inhabited by beings different from ourselves, served as a laboratory. A successful outcome would secure the Z Unit’s future, enabling its enterprise to expand and its methods to be applied to other lands. 　　An investigation of imperial image-making, and destruction.