二战期间，19岁的通讯兵阿廖沙（弗拉迪米尔·伊瓦绍夫 Vladimir Ivashov饰）在卫国战争中用反坦克枪击毁了德军的两辆坦克而受到嘉奖。但阿廖沙请求将军不必为他授奖，只希望给他几天假回家探望一次母亲（安东尼娜·马克西莫娃 Antonina Maksimova饰）。于是阿廖沙踏上了为期只有六天的归家旅程。途中，阿廖沙邂逅了天真无邪的少女舒拉（让娜·普罗霍莲柯 Zhanna Prokhorenko饰），两人一见钟情。然而他们乘坐的火车被炸，他救死扶伤耽搁了不少时间。当阿廖沙终于回到家乡时，只来得及和母亲在田边说几句话就要返回前线。可这一去，阿廖沙就再没有回来。 　　由著名导演格利高利·丘赫莱依执导的苏联现实主义电影杰作《士兵之歌》，荣获1962年第34届奥斯卡金像奖最佳原创剧本提名，入围1960年第13届戛纳电影节金棕榈奖，并获得1962年第15届英国电影和电视艺术学院奖电影奖-最佳影片等多项大奖。

二战期间，19岁的通讯兵阿廖沙在卫国战争中用反坦克枪击毁了德军的两辆坦克而受到嘉奖。但阿廖沙请求将军不必为他授奖，只希望给他几天假回家探望一次母亲。于是阿廖沙踏上了为期只有六天的归家旅程。途中，阿廖沙邂逅了天真无邪的少女舒拉，两人一见钟情。然而他们乘坐的火车被炸，他救死扶伤耽搁了不少时间。当阿廖沙终于回到家乡时，只来得及和母亲在田边说几句话就要返回前线。可这一去，阿廖沙就再没有回来。

二战期间，19岁的通讯兵阿廖沙在卫国战争中用反坦克枪击毁了德军的两辆坦克而受到嘉奖。但阿廖沙请求将军不必为他授奖，只希望给他几天假回家探望一次母亲。于是阿廖沙踏上了为期只有六天的归家旅程。途中，阿廖沙邂逅了天真无邪的少女舒拉，两人一见钟情。然而他们乘坐的火车被炸，他救死扶伤耽搁了不少时间。当阿廖沙终于回到家乡时，只来得及和母亲在田边说几句话就要返回前线。可这一去，阿廖沙就再没有回来。

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《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

Two hundred years after Simon Bolívar’s campaign to liberate Colombia, The Soldier’s Lagoon retraces his journey across the high-altitude marshlands, searching for glimpses of his ghost in this historically contested territory. As we navigate the terrain through the dense fog that seems suspended in the air, a lush ecosystem saturated with a myriad of oral narratives emerges—one that provokes timely and timeless questions about colonialism, indigeneity and land dominance. 　　The film assembles striking 16mm landscape footage, a sophisticated soundscape, sourced archival passages read in voice-over, and testimonies from preservationists to unearth a patient study of living and elusive archive, gracefully exploring the complicated intersection of oral narratives, political outcomes, and territory. Documenting a region facing very real and urgent environmental repercussions that are a direct result of its historical narratives, this poetic and atmospheric work holds, above all its revelations, a deep reverence for the sacredness of land and its future.

战争的恐怖通过一个真正的二战士兵的眼睛在第一特种部队。萨姆·伯恩(Sam Byrne)是怀俄明州的一个农场男孩，他被征召入伍，奔赴战场履行自己的职责，尽管他不想杀人。他很快认识到，他要么杀人，要么被杀，他必须杀人来保护他的伙伴——他的战友。