通过普通士兵的眼睛来看斯大林格勒战役 　　他们没有权利要求什么，即使他们知道自己的灾难性后果。 　　他们刚刚走上战场，失去朋友，坠入爱河，梦想着······

They come from all over the world but they have one thing in common: The Foreign Legion, their new family. The film tells their stories: of women struggling to keep their love alive, men who leave for battle, and couples forming on hostile ground.

They come from all over the world but they have one thing in common: The Foreign Legion, their new family. The film tells their stories: of women struggling to keep their love alive, men who leave for battle, and couples forming on hostile ground.

“你们正在向一个死亡之谷前进，在那你们将只能看到你身旁人的背影，他看你时也一样。你不要去管他是什么肤色的，他叫什么名字。我们将面对的是一些…

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《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

根据黑山著名作家Rexhep Qosja描写艺术家之死的小说《眼睛中的死亡》改编，导演是其兄弟Isa Qosja，同时他也是科索沃电影人的杰出代表。此片拍摄于1985年，讲述一个阿尔巴尼亚裔科索沃作家如何在南斯拉夫的极权压迫下倍受身心折磨但最终奋起抵抗极权的故事，卡夫卡式的黑暗主题。影片曾入围普拉南斯拉夫电影节，但很快就被官方抵制，连同原著一起被禁，并被冠以宣扬民粹主义和分裂主义的罪名。影片以寓言的形式批判共产主义极权统治对人性的残酷压抑，并加入许多主人公自我的超现实幻觉和想像，令人印象深刻的有开场一匹浑身冒火的白马冲过平原的象征性镜头，据说是真实无假的场景！