The formation and history of Lake Baikal in Siberia are reimagined, featuring the voice of a Buryat woman who can still recall some words in her endangered Buryat-Mongolian language.

The formation and history of Lake Baikal in Siberia are reimagined, featuring the voice of a Buryat woman who can still recall some words in her endangered Buryat-Mongolian language.

在完成单人单车骑行3大洲16国、徒步穿越外高加索全境后，中国人力旅行者徐江军决定于2017年3月穿越世界最深的淡水湖贝加尔湖冰面全境，实现旅行生涯迄今为止最大的梦想。在整整23天穿越无人区的过程中，他将相机视为最亲近的朋友，记录穿越过程中的欣喜、绝望，以及苦中作乐的美妙瞬间。

Baikal is the oldest, the deepest and the purest lake on the planet. But it's not only that - Baikal is an ideal model of our world, as it shall be. Everything is possible here: to walk on water, to touch the sky, to talk with the universe. Baikal is our hope and our future. It's a film about the thirst, about the eternity and about all of us. The genre is epic documentary. The aim is to change the world.

A peace-loving Cossack chooses to prove himself in battle when his village and childhood sweetheart label him a coward.

贝加尔湖位于西伯利亚原野深处，它是世界上面积最大，深度最深的淡水湖，而且它的身上充满了远古时代的未解之谜，“自然奇观”节目组这次要深入冰层之下揭开贝加尔湖的奥秘，他们会探访千百万年来基本没有进化过的稀有物种，并且研究冰雪消融之时生命的变化痕迹！

Vulgar is about a man who is a children's clown but has not been getting much luck lately. He lives in a cheap apartment which he can't even afford. Bums are constantly sleeping in his run down car and crashing on his lawn. He has a nagging mother who lives in a nursing home, and his best friend is a moocher. One day he comes up with the idea to become a bachelor clown.

贝加是一个四岁的小男孩，爸爸妈妈出于无奈把他送到一所住宿制的幼儿园， 成为樱桃班的一员。在这里，他遇见铛铛、珠珠等很多小朋友，发生了一系 列事情。最后，珠珠要走了，贝加和铛铛藏起了欢送会用的伴奏带，以为珠 珠节目演不成就不能走了，但是大家还是不得不分手。樱桃班的这一年生活 谁也不会忘记。 　　全剧以小孩子的视角看世界，充满童真童情童趣。年仅四岁的小童昌演来逼 真、混沌、憨态可掬。是难得的清新之作。

贝加是一个四岁的小男孩，爸爸妈妈出于无奈把他送到一所住宿制的幼儿园， 成为樱桃班的一员。在这里，他遇见铛铛、珠珠等很多小朋友，发生了一系 列事情。最后，珠珠要走了，贝加和铛铛藏起了欢送会用的伴奏带，以为珠 珠节目演不成就不能走了，但是大家还是不得不分手。樱桃班的这一年生活 谁也不会忘记。 　　全剧以小孩子的视角看世界，充满童真童情童趣。年仅四岁的小童昌演来逼 真、混沌、憨态可掬。是难得的清新之作。

In the first few months of 2020, huge swathes of Northern Italy were hit by a new virus. The town of Bergamo and its province was to become the epicentre of this pandemic. We see hospitals on the brink of collapse, distraught families and coffins being carried away by military convoy. And this is only the beginning of Stefano Savona’s heartbreakingly detailed and powerful new film. Following the abyss of the darkest days comes an even greater challenge: grieving. People meet to try to understand what has happened and overcome their fear and their pain. Nothing is as it was before and our perception of what we are used to calling life and death has completely changed. Digging into the memory of Bergamo’s recent and not-so-recent past, Savona questions the very notion of documentary cinema and asks: How should he film this interrupted cycle of life and death? How should he accompany survivors as they try to find a new place the world?