丰田拥有遍布世界26个国家的51家工厂，利润达两兆日元，汽车年产量900万台，赶超美国通用实现全球第一的目标指日可待。但随着全球生产网点的扩展，新的问题层出不穷。为融入当地环境，丰田最大程度地雇佣当地人，但让缺乏经验的人从事制造谈何容易。日本的熟练技术指导者已远远不足，在泰国丰田开始尝试不派日本人，依靠外籍技术员传授员工技能的尝试。丰田正在世界各地将独有的制造理念增值并不断扩大。我们关注着丰田历经磨练积蓄成为世界第一的能量，如何克服全球性企业所面临的难题。

丰田拥有遍布世界26个国家的51家工厂，利润达两兆日元，汽车年产量900万台，赶超美国通用实现全球第一的目标指日可待。但随着全球生产网点的扩展，新的问题层出不穷。为融入当地环境，丰田最大程度地雇佣当地人，但让缺乏经验的人从事制造谈何容易。日本的熟练技术指导者已远远不足，在泰国丰田开始尝试不派日本人，依靠外籍技术员传授员工技能的尝试。丰田正在世界各地将独有的制造理念增值并不断扩大。我们关注着丰田历经磨练积蓄成为世界第一的能量，如何克服全球性企业所面临的难题。

柏林墙的倒塌已经过去了20年，世界正面临巨大的转折点。源自美国的世界同时金融危机，在这风口浪尖，我们深刻感受到了所依存的全球资本主义的脆弱性，混乱不断加剧的世界将走向何方？ 　　NHK三位地球特派员同时进行了采访： 　　以丰富的能源为武器，完成惊人的经济复苏，并不改强势的俄罗斯。 　　成功举办奥运会的世界工厂——中国，由于经济下滑，工厂倒闭浪潮不止。 　　百年不遇的经济危机，实体经济已经遭到侵蚀的超级大国美国。 　　全球化的资本主义，是否还能开创其未来？让我们一起展望剧烈动荡的2009年，探讨激烈动荡下日本的命运。 　　嘉宾介绍： 　　冈本行夫：先后担任桥本内阁、小泉内阁的总理大臣助理，为日本外交政策出谋划策，是左右日本外交路线的关键人物之一，1991年创办日本知名智库"冈本事务所"。他的言论不仅影响政府决策，也影响着日本国民对外交和国际关系的认识，是日本最顶级的媒体评论员。 　　这些年来，他到日本各地向日本大学生传授外交“秘笈”；在日本重要政论节目中，也经常可以看到他的身影。2005年8月，在香港凤凰卫视和日本朝日新闻电视台联合主办的中日辩论会上，他曾代表日方参与辩论。 　　伊藤洋一：1950年出生，早稻田大学政治经济系毕业。曾任通讯社纽约特派员等职，后进入住友银行，1998年9月开始担任住友信托基础研究所主席研究员。著有《速度经济》。值得瞩目的新闻是，住友信托银行以12.6亿美元收购花旗日本子公司。 　　太田弘子：安倍内阁府特命财政担当大臣（前日本财政部长）。 　　江上刚：日本小说家，1954年出生于日本兵库县，早稻田大学政治经济系毕业。1977年就职于瑞穗银行(原第一劝业银行)，担任过数家分行的行长，2003年辞职，专事写作。二十多年的银行实战经历，令他的经济小说富有专业性、逼真感，引人入胜，独树—帜。代表作有《无情银行》、《起死回生》等，多次在NHK节目中担当嘉宾、特派员。 　　石川一洋：NHK解说委员，前NHK莫斯科支局局长。 　　本期主持是东京大学教授藤原归一（国际政治方向） 　　他的观点请参考以下链接： 　　战争是怎样被记忆下来的 　　http://www.comment-cn.net/data/2006/0707/article_12042.html 　　帝国的战争 　　http://www.cetin.net.cn/cetin2/s ... =1docno=121780

柏林墙的倒塌已经过去了20年，世界正面临巨大的转折点。源自美国的世界同时金融危机，在这风口浪尖，我们深刻感受到了所依存的全球资本主义的脆弱性，混乱不断加剧的世界将走向何方？ 　　NHK三位地球特派员同时进行了采访： 　　以丰富的能源为武器，完成惊人的经济复苏，并不改强势的俄罗斯。 　　成功举办奥运会的世界工厂——中国，由于经济下滑，工厂倒闭浪潮不止。 　　百年不遇的经济危机，实体经济已经遭到侵蚀的超级大国美国。 　　全球化的资本主义，是否还能开创其未来？让我们一起展望剧烈动荡的2009年，探讨激烈动荡下日本的命运。 　　嘉宾介绍： 　　冈本行夫：先后担任桥本内阁、小泉内阁的总理大臣助理，为日本外交政策出谋划策，是左右日本外交路线的关键人物之一，1991年创办日本知名智库"冈本事务所"。他的言论不仅影响政府决策，也影响着日本国民对外交和国际关系的认识，是日本最顶级的媒体评论员。 　　这些年来，他到日本各地向日本大学生传授外交“秘笈”；在日本重要政论节目中，也经常可以看到他的身影。2005年8月，在香港凤凰卫视和日本朝日新闻电视台联合主办的中日辩论会上，他曾代表日方参与辩论。 　　伊藤洋一：1950年出生，早稻田大学政治经济系毕业。曾任通讯社纽约特派员等职，后进入住友银行，1998年9月开始担任住友信托基础研究所主席研究员。著有《速度经济》。值得瞩目的新闻是，住友信托银行以12.6亿美元收购花旗日本子公司。 　　太田弘子：安倍内阁府特命财政担当大臣（前日本财政部长）。 　　江上刚：日本小说家，1954年出生于日本兵库县，早稻田大学政治经济系毕业。1977年就职于瑞穗银行(原第一劝业银行)，担任过数家分行的行长，2003年辞职，专事写作。二十多年的银行实战经历，令他的经济小说富有专业性、逼真感，引人入胜，独树—帜。代表作有《无情银行》、《起死回生》等，多次在NHK节目中担当嘉宾、特派员。 　　石川一洋：NHK解说委员，前NHK莫斯科支局局长。 　　本期主持是东京大学教授藤原归一（国际政治方向） 　　他的观点请参考以下链接： 　　战争是怎样被记忆下来的 　　http://www.comment-cn.net/data/2006/0707/article_12042.html 　　帝国的战争 　　http://www.cetin.net.cn/cetin2/s ... =1docno=121780

八年光阴可以改变些什么？微不足道的它们建成了一个规模宏大的地下帝国，有人说它们冷酷、可怕，可我还是想看看弱不禁风的它们经历过的那些苦难，还有它们小小的脑袋里，到底装得下多大的智慧，蚂蚁帝国－－我们一起期待吧！

廉价、好用、真假混杂的中国山寨手机，占据市场半壁江山和销售链条的每个环节，山寨机远征东非，也在民间关系中撕开口子。追踪中国山寨机走向全球的动向。

廉价、好用、真假混杂的中国山寨手机，占据市场半壁江山和销售链条的每个环节，山寨机远征东非，也在民间关系中撕开口子。追踪中国山寨机走向全球的动向。

中国菜享誉全球，受到世界各地海外华人的欢迎。炒饭、叉烧肉、猪肉姜汤、麻婆豆腐、饺子、北京烤鸭等等耳熟能详。本集系列片中的主持人高克有一位中国爸爸和英国妈妈，他从小在自家开的中餐馆长大，从爸爸那里学得了一手制作中国菜的好厨艺，让我们跟随他的脚步，走进本系列纪录片“国兴佳肴”,向他学习如何烹饪传统经典的中国菜吧。

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.