Corry, a French coordinator of pediatric heart transplants is sent to Japan where organ donation remains taboo. As she fights to save a young boy, her partner Jin, a photographer from Yakushima, suddenly vanishes. He becomes a “Johatsu”, as the Japanese call the 80,000 people who disappear overnight each year. Corry faces a double ordeal: saving a child while coping with the loss of the man she loves.

孤独死や無縁死への補助金を利用した悪徳業者に霊障が「納骨業者」、コスプレ好きの女の子の身に起こった戦慄の事件「兄妹愛憎中継」、毎日の路上での勧誘にキレ、カメラを持って迫ると霊が「路上勧誘キック」、凄惨な事件現場に謎の…「ホームレス殺人現場」ほか衝撃的な日常の裏側に映った投稿心霊映像を収録

ほんとにあった! 呪いのビデオ」シリーズの児玉和土が挑む新感覚ホラー。 　　呪いよりも、怨念よりも、幽霊よりも、怖い! ! それは人間だった! ! 　　嫉妬、憎悪、行き過ぎた愛情…様々な感情は人を狂気へと変貌させる。 　　人間独特のじっとりとした恐怖をリアルに映像化したオムニバスサスペンス・ホラー。 　　「知ってはいけない友達の秘密」「自分の名前を検索してみたら?」「送り○チガイ」「」あの世からの電話」「親の顔がみたい?」の全5話収録。

中国首部系统聚焦脑科学的纪录片，从生物学、医学、神经病学、心理学等不同纬度展开，系统展现中国科学家在脑科学研究领域所做的努力。

本作は、こっくりさん遊びにまつわる呪いを更に衝撃的な演出で描き出し、新たなる恐怖を煽ります!さらにジャーナリストの視点 　　から殺人事件を追うサスペンス要素を盛り込むことで、単なるホラーだけではないエンターテイメントな作品です!!

艺伎，字面上的含意为"以艺术为生"。每个艺伎都要经过严格的训练，学习茶道、书法、乐器、舞蹈、礼节等等。男人们用餐时，她们跪在旁边斟酒上菜，微笑着和他们聊天。待到酒过三旬后，艺伎开始表演以活跃气氛，不论是弹奏乐器或是演唱情歌。最令人称赞的是艺伎的谈话艺术，无论是国际新闻，还是花边消息，她们都了若指掌。 但是艺伎这一古老的文化行业，是否能够在现今充满竞争、科技日新月异的现代日本社会保存下来？十九世纪20年代是艺伎行业的全盛期，有将近80,000名的艺伎，而今却剩下不到1,000名。 　　艺伎的世界始终保持着一种神秘感。她们浓妆的脸上几乎看不出喜怒哀乐，她们是日本文化与艺术的缩影，这也是她们为之骄傲的。艺伎一生就是为了服侍日本上流社会中的达官显贵、富商阔佬，人们只能在那些豪华的茶店酒楼和隐密的日本料亭中看到她们的身影。所以基于上述的种种原因，艺伎一直被笼罩在一层神秘的面纱之下…… 　　 　　Dismissed by Western society as little more than high-priced call girls, the Japanese women known as Geisha are part of a centuries-old tradition that made them a vital part of that country's society. See how they were trained from childhood in music, the arts, conversation and "massaging the male ego," and visit with modern-day Geisha, in this revealing program.

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。

This iconic, Emmy-nominated series is a Tinseltown institution in its own right for its compelling stories from the world of entertainment

Roza (Lucyna Winnicka) marries a promising young architect, Juliusz (Roland Glowacki); for a few months, they have a blissful life together. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Roza abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Roza starts to care for him, but her feelings slowly are transformed into a kind of revulsion. Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.